The FilmSoc Journal is back for the 30th edition of the Raindance Film Festival, the largest independent film festival in the UK. Aadesh Gupta reviews …
Raindance 2022: ‘Dogwatch’ Review
documentary
London Film Festival 2022: ‘Casa Susanna’ Review
BFI’s London Film Festival is in town! The FilmSoc Blog is back for the 66th edition of the city’s largest film festival, delivering a look …
London Film Festival 2022: ‘The United States of America’
BFI’s London Film Festival is in town! The FilmSoc Blog is back for the 66th edition of the city’s largest film festival, delivering a look …
London Film Festival 2022: ‘Fragments of Paradise’ Review
BFI’s London Film Festival is in town! The FilmSoc Journal is back for the 66th edition of the city’s largest film festival, delivering a look …
London Film Festival 2022: ‘Liquor Store Dreams’
BFI’s London Film Festival is in town! The FilmSoc Blog is back for the 66th edition of the city’s largest film festival, delivering a look …
BFI Flare 2022: ‘Passion’ Review
Mara Dinu reviews Maja Borg’s daring documentary about the ties between the worship differences in sex-movements and religion. Everybody experiences the world uniquely and relationships …
LEAFF 2021: ‘Ushiku’ Review
LEAFF 2021 celebrates its sixth year with a programme of thirty films from celebrated and debut filmmakers. Championing East Asian cinema, LEAFF aims to bring …
BFI London Film Festival: ‘Cow’ Review
BFI’s London Film Festival is in town! The FilmSoc Blog is back for the 65th edition of the city’s largest film festival, delivering a look …
BFI London Film Festival: ‘The Velvet Underground’ Review
BFI’s London Film Festival is in town! The FilmSoc Blog is back for the 65th edition of the city’s largest film festival, delivering a look …
SXSW: ‘Through the Plexi-Glass: The Last Days of the San José’ Review
In this review from South by Southwest 2021, editor Lydia De Matos examines the themes of gentrification at the core of an intimate documentary. Framing …