Storytelling often finds itself on that straight and narrow path which begins with a beginning and ends with an end. The Stimming Pool (2024), however, …
Interview: ‘The Stimming Pool’ (LFF 2024)
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The home of film at UCL.
Storytelling often finds itself on that straight and narrow path which begins with a beginning and ends with an end. The Stimming Pool (2024), however, …
Sothysen Tuyor reconsiders Chantal Akerman’s Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (1975) fifty years after its release and three years after being voted …
Edward Lahner looks back on Herbert J Biberman’s Salt of the Earth, telling the remarkable tale of its production and reception history from the McCarthy …
Our festival correspondent Carys Manjdadria-Jenkins considers RaMell Ross’ Nickel Boys (2024) and the fleshing-out effect of film. Since we first put celluloid to screen, assembly …
Caleb Tan reviews Thai comedy drama How to Make Millions Before Grandma Dies, a tear-jerking box-office sensation that has warmed the cockles of many hearts …
Merry Christmas Eve! If your household is anything like mine, the tree is twinkling, the wine is mulling, the mince pies are being munched on, …
Rarely does opinion not benefit from the weight of a little time to test its strength, to see whether it holds or bends. The first …
In A Nutshell: A stunning exploration of life and the search for connection against the backdrop of a developing country. Aftertaste: Tastes like, or rather …
For any true cinema lover, attending a film festival is an experience one should relish at least once in a lifetime. The collective magnetic energy …
Nutshell: A chic polished departure. Aftertaste: A refreshing, ice-cold glass of blood orange juice—its initial sweetness bursting with the vitality of life, followed by a …
It would be no exaggeration to say that when the announcement was made that the film to close the 68th BFI London Film Festival would …