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UCL Film & TV Society Journal

UCL Film & TV Society Journal

The home of film at UCL.

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Misc. Features

The Clash of Codes: Professionalism and Romanticism in the Films of Howard Hawks and Michael Mann

Misc. Features

“Wuthering Heights” Review

Misc. Features

“I Love LA” – A Review

Recommendations TV Reviews

Mint (Charlotte Regan, 2026) Preview

Films Misc. Features

Opinion Piece: Writing The Worst Person in the World

24 February 202624 February 2026Essays Film Reviews Films Misc. Features Oscar Nominated

Sentimental Value: A Character Study Through Art

When we watch a film, we are introduced to a new world, slowly getting to know the characters, places, and past events that shape the …

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Updated on 24 February 202624 February 2026Essays Films Misc. Features

“No Other Secret Agent”: Appreciating the Heritage of Brazilian and South Korean Cinema

Introduction It all begins with an overhead establishing shot of some nature, continues along with a tense police trail, explodes with some gunshots and ends …

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Updated on 23 February 202623 February 2026Essays Film Reviews Films

Yorgos Lanthimos and the Greek Weird Wave

Humble Beginnings Yorgos Lanthimos is the most famous Greek director today (probably of all time), and one of the most famous in the world in …

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Updated on 12 February 202612 February 2026Essays Films Misc. Features

25 Years of Mulholland Drive: Recalling Hollywood’s False Promises

*Spoilers Ahead for Mulholland Drive (2001) It opens with a background of deep, theatrical purple – a backdrop that is clearly artificially imposed. In the …

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Updated on 12 February 202612 February 2026Essays Misc. Features

An Opening Guide into Avant-Garde Cinema

Introduction For most with a more than moderate interest in film, particularly experimentation, surrealism and the avant-garde occupy this discomforting and inaccessible figure. The general …

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Updated on 8 February 20267 February 2026Misc. Features

The Soundscape of Sinners Score – African-American Blues and Irish Folks

Director Ryan Coogler’s recent critically and commercially acclaimed vampire horror film, Sinners (2025), is a triumph for non-IP blockbusters (grossing nearly 370 million internationally), considering …

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Updated on 7 February 20267 February 2026Essays

Making the Case for AI in Art

Portrait of Edmond de Belamy (2018) by Obvious, an early work of AI generated art  “Don’t criticise what you can’t understand.” – Bob Dylan (1964) …

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Updated on 28 January 202628 January 2026Festivals Film Reviews

Who Is My Master and How Have I Come to Be? Universe25 (2025) & A Spontaneous Sunday At The Armenian Film Festival

Last month, I was methodically flicking through my emails, my online post, when I found a request to review British-Armenian director Richard Melkonian’s debut feature …

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28 January 202628 January 2026Essays

La Haine (1995): A Commentary on Systemic State Violence and its Consequences 

Mathieu Kassovitz’s La Haine (1995) is an unflinching commentary on police brutality, racial inequality, and the alienation of marginalised youth within France. Set over 24 …

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Updated on 28 January 202628 January 2026Film Reviews

“Love You, Partner”: On Love and the World of Zootopia 2

Bunny cop, sly fox, mouse boss, the Lemming Brothers’ bank… I’ve always been deeply obsessed with the world of Zootopia.  Two years ago, Shanghai Disneyland …

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  • The Clash of Codes: Professionalism and Romanticism in the Films of Howard Hawks and Michael Mann
  • “Wuthering Heights” Review
  • “I Love LA” – A Review
  • Mint (Charlotte Regan, 2026) Preview

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