The FilmSoc Journal is back for the 30th edition of the Raindance Film Festival, the largest independent film festival in the UK. Elena Goh reviews …
Raindance 2022: ‘Erin’s Guide to Kissing Girls’ Review
Raindance 2022: ‘Goldfish’ Review
The FilmSoc Journal is back for the 30th edition of the Raindance Film Festival, the largest independent film festival in the UK. Aadesh Gupta reviews …
LKFF 2022: ‘Broker’ Review
London Korean Film Festival has returned for its 17th edition. From new releases to hits from renowned Korean directors, the FilmSoc Journal reviews a selection …
LKFF 2022: ‘Through My Midwinter’ Review
London Korean Film Festival has returned for its 17th edition. From new releases to hits from renowned Korean directors, the FilmSoc Journal reviews a selection …
LEAFF 2022: ‘The Roundup’ Review
LEAFF 2022 celebrates its seventh year with a programme of 43 films from celebrated and debut filmmakers. Championing East Asian cinema, LEAFF aims to bring …
LKFF 2022: ‘The Thieves’ Review
London Korean Film Festival has returned for its 17th edition. From new releases to hits from renowned Korean directors, the FilmSoc Journal reviews a selection …
LKFF 2022: ‘The Anchor’ Review
London Korean Film Festival has returned for its 17th edition. From new releases to hits from renowned Korean directors, the FilmSoc Journal reviews a selection …
LKFF 2022: ‘Return to Seoul’ Review
London Korean Film Festival has returned for its 17th edition. From new releases to hits from renowned Korean directors, the FilmSoc Journal reviews a selection …
The Menu (2022) — Review
Caleb Tan reviews the all-star horror comedy that takes fine dining to disturbing extremes. The Menu (2022) provides a course of both comedy and horror …
‘The Woman King’ (2022) — Review
Lavanya Nayar reviews Gina Prince-Bythewood’s anticolonial historical epic The Woman King, starring Viola Davis, Thuso Mbedu and Lashana Lynch. Brought to life by the same …