Isobel Rose Binnie looks at the role reversal of Jo and Amy March in her review of Greta Gerwig’s Little Women. Louisa May Alcott’s Little …
‘Little Women’ Review: Amy, Jo, and the Various Iterations of Womanhood
Film Reviews
Sundance 2020: ‘Never Rarely Sometimes Always’ Review
Never Rarely Sometimes Always, an Eliza Hittman feature in the U.S. Dramatic Competition category, is a quiet, contemplative film about an unwanted teenage pregnancy. Autumn …
Sundance 2020: ‘Summertime’ Review
Pihla Pekkarinen reviews Carlos López Estrada’s ode to Los Angeles youth. Following the success of Blindspotting, Carlos López Estrada’s second feature film, Summertime, is intended …
‘So Long, My Son’ Review
Ellie Lachs reviews Wang Xiaoshuai’s emotional family epic. Wang Xiaoshuai’s newest film So Long, My Son is a slow burner to say the least. The …
Sundance 2020: ‘Miss Americana’ Review
Pihla Pekkarinen reviews Taylor Swift’s new documentary. Miss Americana is undoubtedly one of the most high-profile films arriving at Sundance this year. Taylor Swift first …
‘Frozen II’ Review
Pihla Pekkarinen reviews the much-anticipated Disney sequel. Frozen, when it was first released six years ago, gripped the world. Frozen paraphernalia was inescapable. Anyone who …
‘Last Christmas’ Review
Why this year you should not shy away from watching a Christmas rom-com. It is not a very common occasion to come across a rom-com …
‘The Irishman’ Review
Kerem Uzdiyen reviews Martin Scorsese’s long-awaited gangster epic. This review contains no spoilers. Did Martin Scorsese follow up on his recent “real cinema” remarks by …
‘The Lighthouse’ Review
Kirese Narinesingh reviews Robert Eggers’ acclaimed new film. This review contains minor spoilers. At one point in The Lighthouse, Robert Pattinson’s forlorn, spiritually exhausted character …
‘Our Ladies’ Review – BFI London Film Festival 2019
Editor KC Wingert reviews Michael Caton-Jones’ female-led film at BFI LFF 2019. The Scottish comedy Our Ladies made its world premiere on Friday, 4th October, …