The FilmSoc Journal is back for the the 79th edition of Venice film festival, with critic Aryan Tauqeer delivering a look at the hits and …
Venice Film Festival 2022: ‘White Noise’ Review
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‘Better Call Saul’ : Final Season Review
Aadesh Gupta reviews the final season of the crime and legal drama television series Better Call Saul and its bond to its predecessor Breaking Bad. …
‘Your Name Engraved Herein (刻在你心底的名字)(2020)’ – Review
“If what you give me is the same as what you give others, then I don’t want it.” Your Name Engraved Herein, Birdy To be …
‘Ride or Die (彼女)’ (2021) – Review
Elena Goh reviews this complex and problematic Netflix produced Japanese psychological thriller about a toxic and intense lesbian couple. “You smile when you lie,” Rei …
‘Don’t Look Up’ (2021) Review: Dissecting the Comet
Sungleen Moon reviews Netflix’s star-studded drama film on environmental awareness. We hurtle into the opening of Don’t Look Up (2021) where edgy-Millenial PhD candidate Jennifer …
‘BAC Nord’ (2021) Film Review
Thomas Delorme reviews a french crime drama about three Marseille cops getting a chance to bust a major drug network. The idealistic panorama commonly associated …
Squid Game’s Ink Is Culturally Spreading, But Why?
Sungleen Moon explores the cultural impact of recent smash-hit Netflix show, Squid Game. By now, you either have the strongest self-discipline for not succumbing to …
BFI London Film Festival: ‘The Power of the Dog’ Review
BFI’s London Film Festival is in town! The FilmSoc Blog is back for the 65th edition of the city’s largest film festival, delivering a look …
‘Moxie’ Review
Isabel Milford reviews the high-energy Netflix release celebrating explorations of identity and diversity at High School. ‘Thanks for the advice, but I’m gunna keep my …
‘The Dig’ Review
Maria Cunningham takes an archaeologist’s eye to this new Netflix historical drama. As an archaeology student, I must admit that when I heard that Netflix …