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UCL Film & TV Society Journal

UCL Film & TV Society Journal

The home of film at UCL.

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Festivals Film Reviews

Who Is My Master and How Have I Come to Be? Universe25 (2025) & A Spontaneous Sunday At The Armenian Film Festival

Essays

La Haine (1995): A Commentary on Systemic State Violence and its Consequences 

Film Reviews

“Love You, Partner”: On Love and the World of Zootopia 2

Films Interviews

Challenging Narratives in South Asian Films (Permanent Guest at TIFF)

Films Interviews

Neeraj Ghaywan and the Importance of Telling Underrepresented Stories (Homebound at TIFF)

Updated on 29 September 202015 May 2020Blog Film Reviews

Sundance 2020: ‘Jumbo’ Review

Pihla Pekkarinen reviews Zoé Wittock’s debut, as part of FilmSoc’s coverage of Sundance Film Festival 2020.  Jumbo is about desire, about relationships, about love, about …

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Updated on 19 October 20201 May 2020Blog Misc. Features

Sweet Escape: What to Watch During Lockdown

In response to the COVID-19 outbreak, governments all over the world – including the UK – have urged those who can to stay at home. …

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Updated on 19 October 202019 April 2020Blog Essays

Shaun of the Dead and COVID-19: Zombies, Coronaviruses, and Epidemiological Models

Dan Jacobson demystifies epidemiological models through Edgar Wright’s Shaun of the Dead. It was only a matter of time before the outbreak of COVID-19 caused …

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Updated on 19 October 20206 March 2020Blog Film Reviews

‘To All The Boys: P.S. I Still Love You’ Review

Dan Jacobson reviews the sequel to the Netflix smash hit. In the very first scene of To All The Boys: P.S. I Still Love You, …

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Updated on 29 September 20204 March 2020Blog Film Reviews

‘Our Little Sister’ Review: (Re)Making Family, (Re)Visiting Home

Tomi Haffety reviews Kore-eda’s acclaimed film. After its premiere at the 2015 Cannes Film Festival, Hirokazu Kore-eda’s Our Little Sister quickly rose to acclaim amongst …

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Updated on 29 September 202028 February 2020Blog Film Reviews

‘Little Women’ Review: Amy, Jo, and the Various Iterations of Womanhood

Isobel Rose Binnie looks at the role reversal of Jo and Amy March in her review of Greta Gerwig’s Little Women.  Louisa May Alcott’s Little …

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Updated on 19 October 202018 February 2020Blog Retrospectives

60 Years of ‘La Dolce Vita’

Natalie Wooding reviews Federico Fellini’s iconic film, in celebration of its 60th anniversary. La Dolce Vita is a party. It is a world of glamour …

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Updated on 7 September 202017 February 2020Blog Podcast

PODCAST: Reviewing the Oscars 2020

Kerem, Maria, and Daniel got together to review the Oscars 2020, discussing everything from Parasite’s big wins to 1917’s big misses… Give it a listen …

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Updated on 29 September 202015 February 2020Blog Film Reviews

Sundance 2020: ‘Never Rarely Sometimes Always’ Review

Never Rarely Sometimes Always, an Eliza Hittman feature in the U.S. Dramatic Competition category, is a quiet, contemplative film about an unwanted teenage pregnancy. Autumn …

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Updated on 19 October 202012 February 2020Blog Misc. Features

Cinema and the City: Our Hometowns on Screen

There is an intimate relationship between cinema and the city. While urban environments possess ample potential for exploring space on screen, the intangible aspects of …

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Recent Posts

  • Who Is My Master and How Have I Come to Be? Universe25 (2025) & A Spontaneous Sunday At The Armenian Film Festival
  • La Haine (1995): A Commentary on Systemic State Violence and its Consequences 
  • “Love You, Partner”: On Love and the World of Zootopia 2
  • Challenging Narratives in South Asian Films (Permanent Guest at TIFF)

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