Aadesh Gupta reviews M. Night Shyamalan’s newest apocalyptic psychological horror film about a family taken hostage in a remote cabin. One of the greatest agonies …
‘Knock at the Cabin’ (2023) Review
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‘Everything Everywhere All At Once’ (2022) Review
Co-editor-in-chief, Madeline, reviews Everything Everywhere All At Once, box-office giant of 2022, and fan-favourite at this year’s Oscars. Everything Everywhere All At Once, living up …
‘Babylon’ (2022) Review
Lavanya reviews Babylon, Damien Chazelle’s feverish new feature, which follows the late 1920s film industry and its doomed lust for glory. “You gave me your …
‘An Cailín Ciúin’ (2022) Review
Ciaran Kelly reviews Colm Bairéad’s Academy Award-nominated An Cailín Ciúin, an Irish language coming-of-age feature that explores a dysfunctional family. 2022 was an incredibly exciting …
Valentine’s Day Special: Our favourite Queer Romance Films
What better way to spend Valentines Day than cozy-up watching films recommended by the Filmsoc Journal? Spice up the atmosphere or bawl your eyes by …
South by Southwest SXSW (2022) – Our Favourite Shorts
Editor-in-Chief Alexia Mihaila shares her favourite picks of shorts from the 2022 SXSW festival. The Voice Actress (2022) Having won a special jury award at …
‘Sick’ (2023) Review
Aryan Tauqeer reviews John Hyams’ pandemic slasher film. When Wes Craven’s seminal Scream hit theatres in the winter of 1996, it represented the birth of …
‘The Swimmers’ (2022) Review
Shaza Hafez reviews the biographical sports drama by Sally El-Hosaini – an unconventional journey of the Hollywood hero. The Swimmers tells the true story of …
London Film Festival 2022: ‘Glass Onion: A Knives Out Mystery’ Review
BFI’s London Film Festival is in town! The FilmSoc Blog is back for the 66th edition of the city’s largest film festival, delivering a look …
London Film Festival 2022: ‘Fast and Feel Love’ Review
BFI’s London Film Festival is in town! The FilmSoc Blog is back for the 66th edition of the city’s largest film festival, delivering a look …