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UCL Film & TV Society Journal

UCL Film & TV Society Journal

The home of film at UCL.

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Misc. Features

The Social Reckoning: A Film Defined by its Missed Opportunities

Festivals Film Reviews

‘Your Mother, Your Mother, Your Mother’: Feet, Faith, and Forgiveness

Festivals Film Reviews

Wildwood: One of the Best Animated Films of the Decade

Interior of The Forum theatre for the screening of Filipiñana, in the picture it displays an ad for Asahi (Source: own photograph)
Festivals Film Reviews Misc. Features

The MIFF “Diaries” (Part Two)

Festivals Film Reviews Misc. Features

The MIFF “Diaries” (Part One)

Updated on 13 November 202013 November 2020Film Reviews

Raindance Film Festival: ‘Force of Habit’ Review

Editor-in-chief Pihla Pekkarinen reviews a Finnish anthology film about experiences of street harassment as part of our Raindance 2020 coverage. A woman’s arse gets grabbed …

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Updated on 12 November 202012 November 2020Film Reviews

Raindance Film Festival: ‘Jimmy is Punk – The Story of PANIC’ Review

Alina Elena reviews a documentary on the Dutch punk scene as part of our Raindance 2020 coverage. Mostly focusing on 16mm and Super 8 footage …

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Updated on 12 November 202011 November 2020Essays

Was Dogme 95 a successful manifesto? Was it a manifesto at all?

Bryn Chiappe tackles the impact of the Dogme 95 manifesto and its lasting legacy on cinema. THE DOGME 95 VOW OF CHASTITY I swear to …

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Updated on 5 October 202210 November 2020Film Reviews

LKFF 2020: ‘Ashfall’ Review

London Korean Film Festival returns for its 15th edition. From new releases to hits from renowned Korean directors, the FilmSoc Blog reviews a selection of …

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Updated on 10 November 202010 November 2020Film Reviews

BFI London Film Festival: ‘Cicada’ Review

BFI’s London Film Festival is in town! The FilmSoc Blog is back for the 64th edition of one of Europe’s largest film festivals, delivering a …

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Updated on 8 November 20208 November 2020Film Reviews

Raindance Film Festival: ‘Nafi’s Father’ Review

Gabrielle Dowsey examines the implications of Nafi’s Father for African cinema as a whole as part of our Raindance 2020 coverage. In his thoughtful cinematic …

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Updated on 5 October 20228 November 2020Film Reviews

LKFF 2020: ‘Intimate Strangers’ Review

London Korean Film Festival returns for its 15th edition. From new releases to hits from renowned Korean directors, the FilmSoc Blog reviews a selection of …

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Updated on 8 November 20204 November 2020Film Reviews

BFI London Film Festival ‘Striding in the Wind’ Review

BFI’s London Film Festival is in town! The FilmSoc Blog is back for the 64th edition of one of Europe’s largest film festivals, delivering a …

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Updated on 2 November 20202 November 2020Film Reviews

Raindance Film Festival: ‘Here Are the Young Men’ Review

Isabel Milford reviews Eoin Macken’s coming of age drama and analyses its theme of toxic masculinity as part of our Raindance 2020 coverage. Power, control …

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1 November 20201 November 2020Film Reviews

BFI London Film Festival: ‘Nomadland’ Review

BFI’s London Film Festival is in town! The FilmSoc Blog is back for the 64th edition of one of Europe’s largest film festivals, delivering a …

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Recent Posts

  • The Social Reckoning: A Film Defined by its Missed Opportunities
  • ‘Your Mother, Your Mother, Your Mother’: Feet, Faith, and Forgiveness
  • Wildwood: One of the Best Animated Films of the Decade
  • The MIFF “Diaries” (Part Two)

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Recent Posts

  • The Social Reckoning: A Film Defined by its Missed Opportunities
  • ‘Your Mother, Your Mother, Your Mother’: Feet, Faith, and Forgiveness
  • Wildwood: One of the Best Animated Films of the Decade
  • The MIFF “Diaries” (Part Two)

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