Bryn Chiappe tackles the impact of the Dogme 95 manifesto and its lasting legacy on cinema. THE DOGME 95 VOW OF CHASTITY I swear to …
Was Dogme 95 a successful manifesto? Was it a manifesto at all?
LKFF 2020: ‘Ashfall’ Review
London Korean Film Festival returns for its 15th edition. From new releases to hits from renowned Korean directors, the FilmSoc Blog reviews a selection of …
BFI London Film Festival: ‘Cicada’ Review
BFI’s London Film Festival is in town! The FilmSoc Blog is back for the 64th edition of one of Europe’s largest film festivals, delivering a …
Raindance Film Festival: ‘Nafi’s Father’ Review
Gabrielle Dowsey examines the implications of Nafi’s Father for African cinema as a whole as part of our Raindance 2020 coverage. In his thoughtful cinematic …
LKFF 2020: ‘Intimate Strangers’ Review
London Korean Film Festival returns for its 15th edition. From new releases to hits from renowned Korean directors, the FilmSoc Blog reviews a selection of …
BFI London Film Festival ‘Striding in the Wind’ Review
BFI’s London Film Festival is in town! The FilmSoc Blog is back for the 64th edition of one of Europe’s largest film festivals, delivering a …
Raindance Film Festival: ‘Here Are the Young Men’ Review
Isabel Milford reviews Eoin Macken’s coming of age drama and analyses its theme of toxic masculinity as part of our Raindance 2020 coverage. Power, control …
BFI London Film Festival: ‘Nomadland’ Review
BFI’s London Film Festival is in town! The FilmSoc Blog is back for the 64th edition of one of Europe’s largest film festivals, delivering a …
‘Cadaver’ Review
Alexander Hancock considers whether this Norwegian thriller has the potential to stand out from Netflix’s ever growing collection. With the postponement of 2020’s most anticipated …
Raindance Film Festival: ‘He Dreams of Giants’ Review
FilmSoc President Diego Collado reviews the documentary chronicling Terry Gilliam’s journey to making The Man Who Killed Don Quixote as part of our Raindance 2020 …