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UCL Film & TV Society Journal

UCL Film & TV Society Journal

The home of film at UCL.

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Festivals Film Reviews

Who Is My Master and How Have I Come to Be? Universe25 (2025) & A Spontaneous Sunday At The Armenian Film Festival

Essays

La Haine (1995): A Commentary on Systemic State Violence and its Consequences 

Film Reviews

“Love You, Partner”: On Love and the World of Zootopia 2

Films Interviews

Challenging Narratives in South Asian Films (Permanent Guest at TIFF)

Films Interviews

Neeraj Ghaywan and the Importance of Telling Underrepresented Stories (Homebound at TIFF)

Updated on 31 October 202031 October 2020Film Reviews

Raindance Film Festival: ‘He Dreams of Giants’ Review

FilmSoc President Diego Collado reviews the documentary chronicling Terry Gilliam’s journey to making The Man Who Killed Don Quixote as part of our Raindance 2020 …

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Updated on 5 October 202230 October 2020Film Reviews

LKFF 2020: ‘Moving On’ Review

London Korean Film Festival returns for its 15th edition. From new releases to hits from renowned Korean directors, the Film Soc Blog reviews a selection …

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Updated on 30 October 202030 October 2020Film Reviews

BFI London Film Festival: ‘Another Round’ Review

BFI’s London Film Festival is in town! The FilmSoc Blog is back for the 64th edition of one of Europe’s largest film festivals, delivering a …

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Updated on 30 October 202028 October 2020Film Reviews

BFI London Film Festival: ‘One Man and His Shoes’ Review

BFI’s London Film Festival is in town! The FilmSoc Blog is back for the 64th edition of one of Europe’s largest film festivals, delivering a …

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Updated on 29 October 202028 October 2020Film Reviews

‘Ella Es Cristina’ Review: The Tale of a Wasted Opportunity

Anna Ainio reviews Gonzalo Maza’s Chilean drama as part of of our Raindance 2020 coverage. “At least you’re alive, look at me.” These are the …

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Updated on 28 October 202028 October 2020Film Reviews

Raindance Film Festival: ‘Materna’ Review

Sungleen Moon reviews an anthology film about womanhood as part of our Raindance 2020 coverage. David Gutnick’s directorial debut feature Materna offers a film that …

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Updated on 27 October 202027 October 2020Film Reviews

BFI London Film Festival: ‘A Common Crime’ Review

BFI’s London Film Festival is in town! The FilmSoc Blog is back for the 64th edition of one of Europe’s largest film festivals, delivering a …

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Updated on 27 October 202025 October 2020Film Reviews

BFI London Film Festival: Lovers Rock Review

BFI’s London Film Festival is in town! The FilmSoc Blog is back for the 64th edition of one of Europe’s largest film festivals, delivering a …

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Updated on 24 October 202024 October 2020Film Reviews

BFI London Film Festival: ‘David Byrne’s American Utopia’ Review

BFI’s London Film Festival is in town! The FilmSoc Blog is back for the 64th edition of one of Europe’s largest film festivals, delivering a …

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Updated on 27 October 202024 October 2020Film Reviews

Raindance Film Festival: ‘The Woman In Leopard Shoes’ Review

Alexander Hancock reviews an independent neo-noir thriller as part of our Raindance 2020 coverage. With its distorted shadows, suspenseful montages and unnerving high-angle shots, all …

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Recent Posts

  • Who Is My Master and How Have I Come to Be? Universe25 (2025) & A Spontaneous Sunday At The Armenian Film Festival
  • La Haine (1995): A Commentary on Systemic State Violence and its Consequences 
  • “Love You, Partner”: On Love and the World of Zootopia 2
  • Challenging Narratives in South Asian Films (Permanent Guest at TIFF)

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