The FilmSoc Journal is back for the the 79th edition of Venice film festival, with critic Aryan Tauqeer delivering a look at the hits and …
Venice Film Festival 2022: ‘The Kingdom: Exodus’ Review
Venice Film Festival 2022: ‘White Noise’ Review
The FilmSoc Journal is back for the the 79th edition of Venice film festival, with critic Aryan Tauqeer delivering a look at the hits and …
Cannes Film Festival 2022: ‘Triangle of Sadness’
The FilmSoc Journal is back for the 75th edition of the largest film festival in France, delivering a look at the hits and misses of …
Cannes Film Festival 2022: Coupez!
The FilmSoc Journal is back for the 75th edition of the largest film festival in France, delivering a look at the hits and misses of …
Cannes Film Festival 2022: A Guide To The Festival
The FilmSoc Journal is back for the 75th edition of the largest film festival in France, delivering a look at the hits and misses of …
‘Sunset Boulevard’ Review
Madeline Choi reviews Billy Wider’s classic film noir comedy Sunset Boulevard, which screened at FOMI 2022. The first day of this year’s Festival of the …
‘No Time To Die’: A Canonical Incongruence
Thomas Round analyses the legacy of the famed British spy James Bond in the context of his reputation, his origins, and the myths surrounding him. …
Something Male in Every Woman and Female in Every Man: Gender and the Cronenbergian Body
The space occupied by the body as an inseparable component of the built environment has existed since perhaps the very inception of cinema as a …
‘Ticket to Paradise’ (2022) – Review
Madeline Choi reviews the newest rom-com tropes following flick that will make you laugh and space out to ‘exotic’ lands. Another classic feel-good formulaic rom-com, …
BFI Flare 2022: ‘Passion’ Review
Mara Dinu reviews Maja Borg’s daring documentary about the ties between the worship differences in sex-movements and religion. Everybody experiences the world uniquely and relationships …