BFI’s London Film Festival is in town! The FilmSoc Blog is back for the 62nd edition of one of Europe’s largest film festivals, delivering a …
BFI London Film Festival: ‘Mogul Mowgli’ Review

The home of film at UCL.

BFI’s London Film Festival is in town! The FilmSoc Blog is back for the 62nd edition of one of Europe’s largest film festivals, delivering a …

Alexander Hancock reviews Netflix’s latest, a Midwestern gothic thriller. When Netflix released the first trailer for The Devil All The Time back in August, the …

Maria Cunningham reviews Christopher Nolan’s latest mind-bending blockbuster. Christopher Nolan’s Tenet, the first major blockbuster to be released since lockdown, is quite simply an incredible …

Lydia De Matos reviews Kaufman’s latest experimental thriller. A young couple is on their way to the guy’s parents’ house. They’ve only been together for …

Tomi Haffety explores the portrayal of the Mexican elite during the 1982 Peso Crisis through Las Niñas Bien Las Niñas Bien acts as a cinematic …

Pihla Pekkarinen reviews Zoé Wittock’s debut, as part of FilmSoc’s coverage of Sundance Film Festival 2020. Jumbo is about desire, about relationships, about love, about …

Dan Jacobson reviews the sequel to the Netflix smash hit. In the very first scene of To All The Boys: P.S. I Still Love You, …

Tomi Haffety reviews Kore-eda’s acclaimed film. After its premiere at the 2015 Cannes Film Festival, Hirokazu Kore-eda’s Our Little Sister quickly rose to acclaim amongst …

Isobel Rose Binnie looks at the role reversal of Jo and Amy March in her review of Greta Gerwig’s Little Women. Louisa May Alcott’s Little …

Never Rarely Sometimes Always, an Eliza Hittman feature in the U.S. Dramatic Competition category, is a quiet, contemplative film about an unwanted teenage pregnancy. Autumn …