Pihla Pekkarinen reviews Zoé Wittock’s debut, as part of FilmSoc’s coverage of Sundance Film Festival 2020. Jumbo is about desire, about relationships, about love, about …
Sundance 2020: ‘Jumbo’ Review

The home of film at UCL.
Pihla Pekkarinen reviews Zoé Wittock’s debut, as part of FilmSoc’s coverage of Sundance Film Festival 2020. Jumbo is about desire, about relationships, about love, about …
Dan Jacobson reviews the sequel to the Netflix smash hit. In the very first scene of To All The Boys: P.S. I Still Love You, …
Tomi Haffety reviews Kore-eda’s acclaimed film. After its premiere at the 2015 Cannes Film Festival, Hirokazu Kore-eda’s Our Little Sister quickly rose to acclaim amongst …
Isobel Rose Binnie looks at the role reversal of Jo and Amy March in her review of Greta Gerwig’s Little Women. Louisa May Alcott’s Little …
Never Rarely Sometimes Always, an Eliza Hittman feature in the U.S. Dramatic Competition category, is a quiet, contemplative film about an unwanted teenage pregnancy. Autumn …
Pihla Pekkarinen reviews Carlos López Estrada’s ode to Los Angeles youth. Following the success of Blindspotting, Carlos López Estrada’s second feature film, Summertime, is intended …
Ellie Lachs reviews Wang Xiaoshuai’s emotional family epic. Wang Xiaoshuai’s newest film So Long, My Son is a slow burner to say the least. The …
Pihla Pekkarinen reviews Taylor Swift’s new documentary. Miss Americana is undoubtedly one of the most high-profile films arriving at Sundance this year. Taylor Swift first …
Pihla Pekkarinen reviews the much-anticipated Disney sequel. Frozen, when it was first released six years ago, gripped the world. Frozen paraphernalia was inescapable. Anyone who …
Why this year you should not shy away from watching a Christmas rom-com. It is not a very common occasion to come across a rom-com …