Alexander Hancock reviews Netflix’s latest, a Midwestern gothic thriller. When Netflix released the first trailer for The Devil All The Time back in August, the …
‘The Devil All The Time’ Review
Film Reviews
‘Tenet’ Review
Maria Cunningham reviews Christopher Nolan’s latest mind-bending blockbuster. Christopher Nolan’s Tenet, the first major blockbuster to be released since lockdown, is quite simply an incredible …
‘I’m Thinking Of Ending Things’ Review
Lydia De Matos reviews Kaufman’s latest experimental thriller. A young couple is on their way to the guy’s parents’ house. They’ve only been together for …
‘The Good Girls’ (Las Niñas Bien) Review: The rise and ruinous fall of Mexico City’s Glitterati
Tomi Haffety explores the portrayal of the Mexican elite during the 1982 Peso Crisis through Las Niñas Bien Las Niñas Bien acts as a cinematic …
Sundance 2020: ‘Jumbo’ Review
Pihla Pekkarinen reviews Zoé Wittock’s debut, as part of FilmSoc’s coverage of Sundance Film Festival 2020. Jumbo is about desire, about relationships, about love, about …
‘To All The Boys: P.S. I Still Love You’ Review
Dan Jacobson reviews the sequel to the Netflix smash hit. In the very first scene of To All The Boys: P.S. I Still Love You, …
‘Our Little Sister’ Review: (Re)Making Family, (Re)Visiting Home
Tomi Haffety reviews Kore-eda’s acclaimed film. After its premiere at the 2015 Cannes Film Festival, Hirokazu Kore-eda’s Our Little Sister quickly rose to acclaim amongst …
‘Little Women’ Review: Amy, Jo, and the Various Iterations of Womanhood
Isobel Rose Binnie looks at the role reversal of Jo and Amy March in her review of Greta Gerwig’s Little Women. Louisa May Alcott’s Little …
Sundance 2020: ‘Never Rarely Sometimes Always’ Review
Never Rarely Sometimes Always, an Eliza Hittman feature in the U.S. Dramatic Competition category, is a quiet, contemplative film about an unwanted teenage pregnancy. Autumn …
Sundance 2020: ‘Summertime’ Review
Pihla Pekkarinen reviews Carlos López Estrada’s ode to Los Angeles youth. Following the success of Blindspotting, Carlos López Estrada’s second feature film, Summertime, is intended …