The FilmSoc Journal is back for the 75th edition of the largest film festival in France, delivering a look at the hits and misses of …
Cannes Film Festival 2022: Coupez!
Film Reviews
‘Sunset Boulevard’ Review
Madeline Choi reviews Billy Wider’s classic film noir comedy Sunset Boulevard, which screened at FOMI 2022. The first day of this year’s Festival of the …
‘Ticket to Paradise’ (2022) – Review
Madeline Choi reviews the newest rom-com tropes following flick that will make you laugh and space out to ‘exotic’ lands. Another classic feel-good formulaic rom-com, …
BFI Flare 2022: ‘Passion’ Review
Mara Dinu reviews Maja Borg’s daring documentary about the ties between the worship differences in sex-movements and religion. Everybody experiences the world uniquely and relationships …
LIFF 2022: ‘Urf’ Review
Aryan Tauqeer reviews Geetika Narang Abbasi’s Urf, a documentary following the lives of three Bollywood-star look-alikes. In 2016, the project that director Maneesh Sharma had …
LIFF 2022: ‘Once Upon a Time in Calcutta’ Review
Aryan Tauqeer reviews Once Upon a Time in Calcutta, Aditya Vikram Sengupta’s cinematic letter to the city of Kolkata. Earlier last year, the incumbent Bharatiya …
LIFF 2022: ‘Do Baaraa’ Review
Aryan Tauqeer reviews LIFF’s opening night film Do Baaraa, an Anurag Kashyap mystery drama. “Gangs of Wasseypur has been my greatest undoing” This was Anurag …
FOMI 2022: ‘Sudden Light’ Review
Aryan Tauqeer reviews director and UCL alumni Sophie Littman’s Cannes-contending experimental short. In Andrei Tarkovsky’s seminal text Sculpting in Time, there is a deliberation upon …
Slamdance ’22 : Our Favourite Shorts
Slamdance is one of the most exciting independent film festivals in the US now reaching its 28th edition. Here are our editor’s, Alexia Mihaila, favorite …
‘The Northman’ (2022) – Review
Alexia Mihaila reviews Robert Eggers’ long-awaited third feature, a viking revenge saga starring Alexander Skarsgård, Nicole Kidman, and Anya Taylor-Joy. The Northman isn’t Eggers’ first …