The FilmSoc Journal is back for the 30th edition of the Raindance Film Festival, the largest independent film festival in the UK. Aadesh Gupta reviews …
Raindance 2022: ‘Oldboy’ Review
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LKFF 2022: ‘The Thieves’ Review
London Korean Film Festival has returned for its 17th edition. From new releases to hits from renowned Korean directors, the FilmSoc Journal reviews a selection …
LKFF 2022: ‘The Anchor’ Review
London Korean Film Festival has returned for its 17th edition. From new releases to hits from renowned Korean directors, the FilmSoc Journal reviews a selection …
LEAFF 2022: ‘New World’ Review
LEAFF 2022 celebrates its seventh year with a programme of 43 films from celebrated and debut filmmakers. Championing East Asian cinema, LEAFF aims to bring …
LEAFF 2021: ‘The Silent Forest’ Review
LEAFF 2021 celebrates its sixth year with a programme of thirty films from celebrated and debut filmmakers. Championing East Asian cinema, LEAFF aims to bring …
LEAFF 2021: ‘Limbo’ Review
LEAFF 2021 celebrates its sixth year with a programme of thirty films from celebrated and debut filmmakers. Championing East Asian cinema, LEAFF aims to bring …
BFI London Film Festival: ‘The Tragedy of Macbeth’ Review
BFI’s London Film Festival is in town! The FilmSoc Blog is back for the 65th edition of the city’s largest film festival, delivering a look …
BFI London Film Festival: ‘Titane’ Review
BFI’s London Film Festival is in town! The FilmSoc Blog is back for the 65th edition of the city’s largest film festival, delivering a look …
BFI London Film Festival: ‘Last Night in Soho’ Review
BFI’s London Film Festival is in town! The FilmSoc Blog is back for the 65th edition of the city’s largest film festival, delivering a look …
‘Pixie’ Review
Luigi Barraza Cárdenas reviews this cheeky but forgettable comedy thriller. Written and directed by father-son team Preston and Barnaby Thompson, Pixie is a comedy-thriller that …