The FilmSoc Journal is back for the 73rd edition of Berlinale, with critic Aryan Tauqeer delivering a look at the hits and misses of the …
Berlinale 2023: ‘Afire’ Review
drama
‘Qala’ (2022) Review
Khushi Jain reviews Anvita Dutt’s sophomore feature Qala, a chronicle of the tumultuous relationship between a rising musician and her family in 1940s Calcutta. Anvita …
LKFF 2022: ‘Return to Seoul’ Review
London Korean Film Festival has returned for its 17th edition. From new releases to hits from renowned Korean directors, the FilmSoc Journal reviews a selection …
London Film Festival 2022: ‘Casa Susanna’ Review
BFI’s London Film Festival is in town! The FilmSoc Blog is back for the 66th edition of the city’s largest film festival, delivering a look …
London Film Festival 2022: ‘Blue Jean’ Review
BFI’s London Film Festival is in town! The FilmSoc Blog is back for the 66th edition of the city’s largest film festival, delivering a look …
London Film Festival 2022: ‘The Eternal Daughter’ Review
BFI’s London Film Festival is in town! The FilmSoc Blog is back for the 66th edition of the city’s largest film festival, delivering a look …
Cannes Film Festival 2022: ‘Triangle of Sadness’
The FilmSoc Journal is back for the 75th edition of the largest film festival in France, delivering a look at the hits and misses of …
FOMI 2022: ‘Sudden Light’ Review
Aryan Tauqeer reviews director and UCL alumni Sophie Littman’s Cannes-contending experimental short. In Andrei Tarkovsky’s seminal text Sculpting in Time, there is a deliberation upon …
‘Your Name Engraved Herein (刻在你心底的名字)(2020)’ – Review
“If what you give me is the same as what you give others, then I don’t want it.” Your Name Engraved Herein, Birdy To be …
‘Don’t Look Up’ (2021) Review: Dissecting the Comet
Sungleen Moon reviews Netflix’s star-studded drama film on environmental awareness. We hurtle into the opening of Don’t Look Up (2021) where edgy-Millenial PhD candidate Jennifer …