BFI’s London Film Festival is in town! The FilmSoc Blog is back for the 64th edition of one of Europe’s largest film festivals, delivering a …
BFI London Film Festival: ‘Kajillionaire’ Review
BFI London Film Festival: ‘Honeymood’ Review
BFI’s London Film Festival is in town! The FilmSoc Blog is back for the 64th edition of one of Europe’s largest film festivals, delivering a …
BFI London Film Festival: ‘Relic’ Review
BFI’s London Film Festival is in town! The FilmSoc Blog is back for the 64th edition of one of Europe’s largest film festivals, delivering a …
BFI London Film Festival: ‘Mogul Mowgli’ Review
BFI’s London Film Festival is in town! The FilmSoc Blog is back for the 62nd edition of one of Europe’s largest film festivals, delivering a …
‘The Devil All The Time’ Review
Alexander Hancock reviews Netflix’s latest, a Midwestern gothic thriller. When Netflix released the first trailer for The Devil All The Time back in August, the …
‘Tenet’ Review
Maria Cunningham reviews Christopher Nolan’s latest mind-bending blockbuster. Christopher Nolan’s Tenet, the first major blockbuster to be released since lockdown, is quite simply an incredible …
‘I’m Thinking Of Ending Things’ Review
Lydia De Matos reviews Kaufman’s latest experimental thriller. A young couple is on their way to the guy’s parents’ house. They’ve only been together for …
‘The Good Girls’ (Las Niñas Bien) Review: The rise and ruinous fall of Mexico City’s Glitterati
Tomi Haffety explores the portrayal of the Mexican elite during the 1982 Peso Crisis through Las Niñas Bien Las Niñas Bien acts as a cinematic …
FOMI 2020: A Journey in AdULTHOOD, London Film Locations
FOMI director, Alex Dewing, takes us through some of the filming locations of British Drama AdULTHOOD. This article was written as part of the celebration …
FOMI 2020: 28 Days Later: Lust, London, and Life after Lockdown
Dan Jacobson looks at what Danny Boyle’s vision of the apocalypse has us believe about London and lockdown. This article was written as part of …