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UCL Film & TV Society Journal

UCL Film & TV Society Journal

The home of film at UCL.

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Film Reviews

Frankenstein (2025): All the Right Dismembered Pieces, All the Wrong Moves

Film Reviews

Should Films Offer Solutions?: Eddington and its Tireless Warnings

Essays

The Lost Grammar of Emotion in Film: Why Modern Audiences Take Melodramas Less Seriously

Misc. Features

The Christmas Movie: Discussion by a Lover of Summer

Film Reviews

Caught Stealing (2025)

Updated on 15 March 202115 March 2021Film Reviews

Berlinale 2021: ‘Bad Luck Banging or Loony Porn’ (Babardeală cu bucluc sau porno balamuc) Review

Anna Ainio reviews the Golden Bear winner, a satirical look at society’s views toward prejudice and publicity. In 2021, one should know what the word …

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Updated on 15 March 202114 March 2021Film Reviews

Berlinale 2021: ‘Who We Were’ (Wer Wir Waren) Review

Bryn Chiappe reviews this unique cinematic look into the international crises of climate change. Marc Bauder’s Who We Were sits somewhere in the grey area …

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Updated on 14 March 202114 March 2021Film Reviews

Berlinale 2021: ‘The Mauritanian’ Review

Editor-in-chief Pihla Pekkarinen criticises this depiction of Guantanamo Bay for its milk-toast condemnation of torture. I must admit, I went into The Mauritanian prejudiced. A …

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Updated on 15 March 202113 March 2021Film Reviews

Berlinale 2021: ‘Drift Away’ (Albatros) Review

Luigi Barraza Cárdenas reviews this Competition entry exploring morality and losing one’s self control. Over the last decade, I have developed a (questionable) habit to …

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Updated on 13 March 202113 March 2021Misc. Features

‘William Shakespeare’s Romeo + Juliet’ at 25

Isabel Milford discusses how her favourite film still holds audiences captive on its 25th anniversary. In line with the Catholicism of the 1996 film William …

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Updated on 13 March 202112 March 2021Film Reviews

Berlinale 2021: ‘A Short Vacation’ (Jong Chak Yeok) Review

Editor-in-chief Tomi Haffety reviews a Korean debut about friendship and identity. Featured in the Generation KPlus category, debut filmmakers Kwon Min-pro and Seo Hansol are …

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Updated on 11 March 202111 March 2021Film Reviews

Berlinale 2021: ‘Memory Box’ Review

Anna Ainio reviews a self-aware film about memory and medium. Before they presented Memory Box at the 2021 Berlin Film Festival, I already knew the …

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Updated on 11 March 202110 March 2021Film Reviews

Berlinale 2021: ‘Language Lessons’ Review

Luigi Barraza Cárdenas considers this heartfelt drama, which screened in the Berlin Special category. In a collective effort from the film industry to cope with …

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Updated on 10 March 202110 March 2021Podcast

Classic Classics Ep. 4: Silence of the Lambs (UCL FilmSoc Podcast)

What films would still cause crowds to flock to Leicester Square, despite being made many years ago? Maria and Luigi embark on a deep dive …

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Updated on 18 March 202110 March 2021Film Reviews

Berlinale 2021: ‘Natural Light’ (Természetes fény) Review

Anna Ainio reviews this drama set in World War II that tells the story of a Hungarian farmer working for the Soviet army. Floating on …

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Recent Posts

  • Frankenstein (2025): All the Right Dismembered Pieces, All the Wrong Moves
  • Should Films Offer Solutions?: Eddington and its Tireless Warnings
  • The Lost Grammar of Emotion in Film: Why Modern Audiences Take Melodramas Less Seriously
  • The Christmas Movie: Discussion by a Lover of Summer

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