Aryan Tauqeer Khawaja interviews Academy Award-nominated filmmaker Ryusuke Hamaguchi about his latest film, Evil Does Not Exist. Out of all the filmmakers to have emerged …
On Melodrama, and Why It Must Endure
Aryan Tauqeer discusses the position of the melodrama in the contemporary cinema landscape, the political history of the genre in Old Hollywood and how the …
LFF 2023: ‘The Killer’ Review
The London Film Festival returned this past October featuring a wide array of British, Hollywood and International cinema. Aryan Taqueer reviews David Fincher’s The Killer. …
LFF 2023: ‘Ferrari’ Review
Aryan Tauqeer reviews Ferrari, Michael Mann’s meditative drama about the titular automobile magnate’s famial and professional strife, and his racers that stand at the intersection between the two.
Berlinale 2023: ‘Afire’ Review
The FilmSoc Journal is back for the 73rd edition of Berlinale, with critic Aryan Tauqeer delivering a look at the hits and misses of the …
Berlinale 2023: ‘Passages’ Review
The FilmSoc Journal is back for the 73rd edition of Berlinale, with critic Aryan Tauqeer delivering a look at the hits and misses of the …
Berlinale 2023: ‘BlackBerry’ Review
The FilmSoc Journal is back for the 73rd edition of Berlinale, with critic Aryan Tauqeer delivering a look at the hits and misses of the …
Berlinale 2023: The Best of Times and The Worst of Times- An Interview with the Crew of ‘Mad Fate’
The FilmSoc Journal is back for the 73rd edition of Berlinale, with critic Aryan Tauqeer delivering a look at the hits and misses of the …
‘Sick’ (2023) Review
Aryan Tauqeer reviews John Hyams’ pandemic slasher film. When Wes Craven’s seminal Scream hit theatres in the winter of 1996, it represented the birth of …
LEAFF 2022: ‘The Roundup’ Review
LEAFF 2022 celebrates its seventh year with a programme of 43 films from celebrated and debut filmmakers. Championing East Asian cinema, LEAFF aims to bring …