BFI’s London Film Festival is in town! The FilmSoc Blog is back for the 66th edition of the city’s largest film festival, delivering a look …
London Film Festival 2022: ‘Pacifiction’ Review
BFI’s London Film Festival is in town! The FilmSoc Blog is back for the 66th edition of the city’s largest film festival, delivering a look …
London Film Festival 2022: ‘EO’ Review
BFI’s London Film Festival is in town! The FilmSoc Blog is back for the 66th edition of the city’s largest film festival, delivering a look …
London Film Festival 2022: ‘Corsage’ Review
BFI’s London Film Festival is in town! The FilmSoc Blog is back for the 66th edition of the city’s largest film festival, delivering a look …
Venice Film Festival 2022: ‘The Kingdom: Exodus’ Review
The FilmSoc Journal is back for the the 79th edition of Venice film festival, with critic Aryan Tauqeer delivering a look at the hits and …
Venice Film Festival 2022: ‘White Noise’ Review
The FilmSoc Journal is back for the the 79th edition of Venice film festival, with critic Aryan Tauqeer delivering a look at the hits and …
Something Male in Every Woman and Female in Every Man: Gender and the Cronenbergian Body
The space occupied by the body as an inseparable component of the built environment has existed since perhaps the very inception of cinema as a …
LIFF 2022: ‘Urf’ Review
Aryan Tauqeer reviews Geetika Narang Abbasi’s Urf, a documentary following the lives of three Bollywood-star look-alikes. In 2016, the project that director Maneesh Sharma had …
LIFF 2022: ‘Once Upon a Time in Calcutta’ Review
Aryan Tauqeer reviews Once Upon a Time in Calcutta, Aditya Vikram Sengupta’s cinematic letter to the city of Kolkata. Earlier last year, the incumbent Bharatiya …
LIFF 2022: ‘Do Baaraa’ Review
Aryan Tauqeer reviews LIFF’s opening night film Do Baaraa, an Anurag Kashyap mystery drama. “Gangs of Wasseypur has been my greatest undoing” This was Anurag …