London Korean Film Festival has returned for its 17th edition. From new releases to hits from renowned Korean directors, the FilmSoc Journal reviews a selection …
LKFF 2022: ‘The Anchor’ Review
November 2022
LKFF 2022: ‘Return to Seoul’ Review
London Korean Film Festival has returned for its 17th edition. From new releases to hits from renowned Korean directors, the FilmSoc Journal reviews a selection …
The Menu (2022) — Review
Caleb Tan reviews the all-star horror comedy that takes fine dining to disturbing extremes. The Menu (2022) provides a course of both comedy and horror …
‘The Woman King’ (2022) — Review
Lavanya Nayar reviews Gina Prince-Bythewood’s anticolonial historical epic The Woman King, starring Viola Davis, Thuso Mbedu and Lashana Lynch. Brought to life by the same …
LEAFF 2022: ‘Goddamned Asura’ Review
LEAFF 2022 celebrates its seventh year with a programme of 43 films from celebrated and debut filmmakers. Championing East Asian cinema, LEAFF aims to bring …
LEAFF 2022: ‘New World’ Review
LEAFF 2022 celebrates its seventh year with a programme of 43 films from celebrated and debut filmmakers. Championing East Asian cinema, LEAFF aims to bring …
Venice Film Festival 2022: ‘Tár’ Review
The FilmSoc Journal is back for the the 79th edition of Venice film festival, with critic Aryan Tauqeer delivering a look at the hits and …
‘Dont Worry Darling’ (2022) Review
Katelyn Liu reviews Olivia Wilde’s newest psychological thriller, starring Florence Pugh, Harry Styles, and Chris Pine. DON’T WORRY EVERYONE, IT’S ACTUALLY ONLY KINDA BAD. *This …
London Film Festival 2022: ‘Decision to Leave’ Review
BFI’s London Film Festival is in town! The FilmSoc Blog is back for the 66th edition of the city’s largest film festival, delivering a look …
London Film Festival 2022: ‘Glass Onion: A Knives Out Mystery’ Review
BFI’s London Film Festival is in town! The FilmSoc Blog is back for the 66th edition of the city’s largest film festival, delivering a look …