Isobel Rose Binnie looks at the role reversal of Jo and Amy March in her review of Greta Gerwig’s Little Women. Louisa May Alcott’s Little …
‘Little Women’ Review: Amy, Jo, and the Various Iterations of Womanhood
February 2020
60 Years of ‘La Dolce Vita’
Natalie Wooding reviews Federico Fellini’s iconic film, in celebration of its 60th anniversary. La Dolce Vita is a party. It is a world of glamour …
PODCAST: Reviewing the Oscars 2020
Kerem, Maria, and Daniel got together to review the Oscars 2020, discussing everything from Parasite’s big wins to 1917’s big misses… Give it a listen …
Sundance 2020: ‘Never Rarely Sometimes Always’ Review
Never Rarely Sometimes Always, an Eliza Hittman feature in the U.S. Dramatic Competition category, is a quiet, contemplative film about an unwanted teenage pregnancy. Autumn …
Cinema and the City: Our Hometowns on Screen
There is an intimate relationship between cinema and the city. While urban environments possess ample potential for exploring space on screen, the intangible aspects of …
Sundance 2020: ‘Summertime’ Review
Pihla Pekkarinen reviews Carlos López Estrada’s ode to Los Angeles youth. Following the success of Blindspotting, Carlos López Estrada’s second feature film, Summertime, is intended …
‘Primal’ (Season 1) Review: The Art of Survival, The Beauty of Compassion
Marcin Zembrzuski takes a look at celebrated cartoonist, Genndy Tartakovsky’s latest work. The rawest cartoon of 2019 is, in my opinion, Genndy Tartakovsky’s Primal. This …