The FilmSoc Journal is back for the 30th edition of the Raindance Film Festival, the largest independent film festival in the UK. Aadesh Gupta reviews …
Raindance 2022: ‘Oldboy’ Review
korean cinema
Slamdance 2023: ‘Stars in the Ordinary Universe’ Review
Slamdance Film Festival is kicking off the new year with films from emerging artists! The FilmSoc Journal is back to deliver the hits and misses …
Raindance 2022: ‘Swallow’ Review
The FilmSoc Journal is back for the 30th edition of the Raindance Film Festival, the largest independent film festival in the UK. Elena Goh reviews …
LKFF 2022: ‘Broker’ Review
London Korean Film Festival has returned for its 17th edition. From new releases to hits from renowned Korean directors, the FilmSoc Journal reviews a selection …
LKFF 2022: ‘Through My Midwinter’ Review
London Korean Film Festival has returned for its 17th edition. From new releases to hits from renowned Korean directors, the FilmSoc Journal reviews a selection …
LEAFF 2022: ‘The Roundup’ Review
LEAFF 2022 celebrates its seventh year with a programme of 43 films from celebrated and debut filmmakers. Championing East Asian cinema, LEAFF aims to bring …
LKFF 2022: ‘The Thieves’ Review
London Korean Film Festival has returned for its 17th edition. From new releases to hits from renowned Korean directors, the FilmSoc Journal reviews a selection …
LKFF 2022: ‘The Anchor’ Review
London Korean Film Festival has returned for its 17th edition. From new releases to hits from renowned Korean directors, the FilmSoc Journal reviews a selection …
LKFF 2022: ‘Return to Seoul’ Review
London Korean Film Festival has returned for its 17th edition. From new releases to hits from renowned Korean directors, the FilmSoc Journal reviews a selection …
LEAFF 2022: ‘New World’ Review
LEAFF 2022 celebrates its seventh year with a programme of 43 films from celebrated and debut filmmakers. Championing East Asian cinema, LEAFF aims to bring …