Editor Lydia De Matos scrutinises Sofia Coppola’s disappointing latest feature. You know how some films just kind of feel like they were made for television? …
‘On the Rocks’ Review
film review
‘Black Mercedes’ Review- UK Jewish Film Festival
Ellie Lachs reviews a whodunnit set in Nazi-occupied Poland, filled with complex love triangles and webs of deceit. The body of a beautiful young woman, …
‘Pixie’ Review
Luigi Barraza Cárdenas reviews this cheeky but forgettable comedy thriller. Written and directed by father-son team Preston and Barnaby Thompson, Pixie is a comedy-thriller that …
‘When Hitler Stole Pink Rabbit’ Review – UK Jewish Film Festival
Ellie Lachs reviews this inspiring German tale of familial bonds and resilience. This year’s Jewish Film Festival kicked off with Caroline Link’s adaptation of Judith …
Raindance Film Festival: ‘Jimmy is Punk – The Story of PANIC’ Review
Alina Elena reviews a documentary on the Dutch punk scene as part of our Raindance 2020 coverage. Mostly focusing on 16mm and Super 8 footage …
LKFF 2020: ‘Ashfall’ Review
London Korean Film Festival returns for its 15th edition. From new releases to hits from renowned Korean directors, the FilmSoc Blog reviews a selection of …
Raindance Film Festival: ‘Nafi’s Father’ Review
Gabrielle Dowsey examines the implications of Nafi’s Father for African cinema as a whole as part of our Raindance 2020 coverage. In his thoughtful cinematic …
LKFF 2020: ‘Intimate Strangers’ Review
London Korean Film Festival returns for its 15th edition. From new releases to hits from renowned Korean directors, the FilmSoc Blog reviews a selection of …
BFI London Film Festival ‘Striding in the Wind’ Review
BFI’s London Film Festival is in town! The FilmSoc Blog is back for the 64th edition of one of Europe’s largest film festivals, delivering a …
Raindance Film Festival: ‘Here Are the Young Men’ Review
Isabel Milford reviews Eoin Macken’s coming of age drama and analyses its theme of toxic masculinity as part of our Raindance 2020 coverage. Power, control …