The FilmSoc Journal is back for the 73rd edition of Berlinale, with critic Aryan Tauqeer delivering a look at the hits and misses of the …
Berlinale 2023: ‘Afire’ Review
Berlin Film Festival
Berlinale 2023: ‘Passages’ Review
The FilmSoc Journal is back for the 73rd edition of Berlinale, with critic Aryan Tauqeer delivering a look at the hits and misses of the …
Berlinale 2023: ‘BlackBerry’ Review
The FilmSoc Journal is back for the 73rd edition of Berlinale, with critic Aryan Tauqeer delivering a look at the hits and misses of the …
Berlinale 2023: The Best of Times and The Worst of Times- An Interview with the Crew of ‘Mad Fate’
The FilmSoc Journal is back for the 73rd edition of Berlinale, with critic Aryan Tauqeer delivering a look at the hits and misses of the …
Berlinale 2021: ‘A Cop Movie’ (Una Película de Policías) Review
Bryn Chiappe appreciates the distinct style of filmmaking in this Silver Bear Award-winning documentary. Alonso Ruizpalacios’ Una Película de Policías is a bold attempt at …
Berlinale 2021: ‘The Last Days of Gilda’ (Os Últimos Dias de Gilda) Review
Luigi Barraza Cárdenas reviews a colourful four-episode series exploring a woman trapped in a political crisis in Brazil Travel restrictions stink. Yes, I understand this …
Berlinale 2021: Wheel of Fortune and Fantasy (Guzen to Sozo) Review
Editor-in-Chief Tomi Haffety celebrates the realist cinema of Ryusuke Hamaguchi in this triptych of stories exploring coincidence and human relationships. There is something so passionate …
Berlinale 2021: ‘Bad Luck Banging or Loony Porn’ (Babardeală cu bucluc sau porno balamuc) Review
Anna Ainio reviews the Golden Bear winner, a satirical look at society’s views toward prejudice and publicity. In 2021, one should know what the word …
Berlinale 2021: ‘Who We Were’ (Wer Wir Waren) Review
Bryn Chiappe reviews this unique cinematic look into the international crises of climate change. Marc Bauder’s Who We Were sits somewhere in the grey area …
Berlinale 2021: ‘A Short Vacation’ (Jong Chak Yeok) Review
Editor-in-chief Tomi Haffety reviews a Korean debut about friendship and identity. Featured in the Generation KPlus category, debut filmmakers Kwon Min-pro and Seo Hansol are …