Skip to Content
  • Forum
  • Instagram
  • Facebook
  • Society Website
UCL Film & TV Society Journal

UCL Film & TV Society Journal

The home of film at UCL.

  • About the Journal
  • Film Reviews
  • Essays
  • Misc. Features
  • Podcast
  • Newsletter
  • Contact us
  • Archive
    • Pre-2018 Archives
Festivals Film Reviews

Who Is My Master and How Have I Come to Be? Universe25 (2025) & A Spontaneous Sunday At The Armenian Film Festival

Essays

La Haine (1995): A Commentary on Systemic State Violence and its Consequences 

Film Reviews

“Love You, Partner”: On Love and the World of Zootopia 2

Films Interviews

Challenging Narratives in South Asian Films (Permanent Guest at TIFF)

Films Interviews

Neeraj Ghaywan and the Importance of Telling Underrepresented Stories (Homebound at TIFF)

13 March 202213 March 2022Film Reviews

‘The Worst Person in the World’ (2021) Review

Madeline Choi reviews Joachim Trier’s beautifully told story of love, confusion, and understanding. What a title. The Worst Person in the World. Immediately, it confronts …

Read More
Updated on 12 September 20222 March 2022Film Reviews

‘Your Name Engraved Herein (刻在你心底的名字)(2020)’ – Review

“If what you give me is the same as what you give others, then I don’t want it.” Your Name Engraved Herein, Birdy To be …

Read More
Updated on 12 September 20222 March 2022Film Reviews

‘Ride or Die (彼女)’ (2021) – Review

Elena Goh reviews this complex and problematic Netflix produced Japanese psychological thriller about a toxic and intense lesbian couple. “You smile when you lie,” Rei …

Read More
Updated on 21 February 202221 February 2022Film Reviews

‘Licorice Pizza’ gave me a funny tummy

With a name like Licorice Pizza, it’s perhaps unsurprising that Paul Thomas Anderson’s latest feature has divided people’s tastes. However, when I returned home from the …

Read More
Updated on 2 March 202211 February 2022Essays

Metatextuality and ‘The Matrix Resurrections’

A reflection. An image all too familiar from countless bouts of repetition, inscribed into the mind. The shadows, the sheen, the sounds-they’re all the same. …

Read More
Updated on 28 January 202228 January 2022Film Reviews

‘Drive My Car’ (2021) Review

Madeline Choi reviews Ryūsuke Hamaguchi’s thoughtfully moving adaptation of Murakami. “The script is a vehicle”— Dir. Ryūsuke Hamaguchi  Expanding from Haruki Murakami’s short story of …

Read More
Updated on 24 January 202224 January 2022Film Reviews

‘Don’t Look Up’ (2021) Review: Dissecting the Comet

Sungleen Moon reviews Netflix’s star-studded drama film on environmental awareness. We hurtle into the opening of Don’t Look Up (2021) where edgy-Millenial PhD candidate Jennifer …

Read More
Updated on 31 December 202131 December 2021Misc. Features

The Best Films We Watched This Year

Yearly roundup lists highlight the best films to come out that year, they can be a tool to lift smaller films out of obscurity, or …

Read More
Updated on 8 January 202230 December 2021Misc. Features

Our Favourite Films from 2021

It feels a little strange to talk about new releases in 2021, doesn’t it? So many films that were originally destined for release in 2020 …

Read More
Updated on 27 December 202127 December 2021Film Reviews

‘A Tale of Love and Desire’ (2021) Review

Alexia Mihaila reviews a coming-of-age romance which explores French-Arab culture and boundaries of consent A Tale of Love and Desire leads with the case of …

Read More

Posts pagination

Previous Page 1 … Page 16 Page 17 Page 18 … Page 53 Next

Recent Posts

  • Who Is My Master and How Have I Come to Be? Universe25 (2025) & A Spontaneous Sunday At The Armenian Film Festival
  • La Haine (1995): A Commentary on Systemic State Violence and its Consequences 
  • “Love You, Partner”: On Love and the World of Zootopia 2
  • Challenging Narratives in South Asian Films (Permanent Guest at TIFF)

Archives

Categories

© Copyright 2026 UCL Film & TV Society Journal. All Rights Reserved. Vilva | Developed By Blossom Themes. Powered by WordPress.