Co-Editor-in-Chief, Sophiya Sian, reviews Greta Gerwig’s Barbie and the phenomenon that was Barbenheimer exactly one month after the films’ infamous release. Exactly a month has …
Barbie (2023) Review
Festival Report: BFI Film On Film Festival 2023
Will Palmer writes about his experiences attending the BFI Film On Film Festival, a new festival dedicated to celebrating the art of film and film …
Oppenheimer (2023) Review
Co- Editor-in-Chief Zheyuan Tony Yang reviews Christopher Nolan’s Oppenheimer, an epic thriller that delves into the life and mind of the “father of the atomic …
Cannes 2023: ‘May December’ Review
Elena Xiang reviews Todd Haynes’s May December, a dark comedy that explores notions of truth and performance in the age of social media and reality TV.
Berlinale 2023: ‘Afire’ Review
The FilmSoc Journal is back for the 73rd edition of Berlinale, with critic Aryan Tauqeer delivering a look at the hits and misses of the …
Berlinale 2023: ‘Passages’ Review
The FilmSoc Journal is back for the 73rd edition of Berlinale, with critic Aryan Tauqeer delivering a look at the hits and misses of the …
Berlinale 2023: ‘BlackBerry’ Review
The FilmSoc Journal is back for the 73rd edition of Berlinale, with critic Aryan Tauqeer delivering a look at the hits and misses of the …
Raindance 2022: ‘Dogwatch’ Review
The FilmSoc Journal is back for the 30th edition of the Raindance Film Festival, the largest independent film festival in the UK. Aadesh Gupta reviews …
‘Knock at the Cabin’ (2023) Review
Aadesh Gupta reviews M. Night Shyamalan’s newest apocalyptic psychological horror film about a family taken hostage in a remote cabin. One of the greatest agonies …
Raindance 2022: ‘Oldboy’ Review
The FilmSoc Journal is back for the 30th edition of the Raindance Film Festival, the largest independent film festival in the UK. Aadesh Gupta reviews …