The FilmSoc Journal is back for the 73rd edition of Berlinale, with critic Aryan Tauqeer delivering a look at the hits and misses of the …
Berlinale 2023: ‘BlackBerry’ Review
Raindance 2022: ‘Dogwatch’ Review
The FilmSoc Journal is back for the 30th edition of the Raindance Film Festival, the largest independent film festival in the UK. Aadesh Gupta reviews …
‘Knock at the Cabin’ (2023) Review
Aadesh Gupta reviews M. Night Shyamalan’s newest apocalyptic psychological horror film about a family taken hostage in a remote cabin. One of the greatest agonies …
Raindance 2022: ‘Oldboy’ Review
The FilmSoc Journal is back for the 30th edition of the Raindance Film Festival, the largest independent film festival in the UK. Aadesh Gupta reviews …
Devil’s Filmvocate – Ep 1 Oscars Predictions w/ Maxime Alves & Antoine Corbani
Maxime Alves & Antoine Corbani make their podcast debut with Devil’s Filmvocate by putting out their Oscars’ predictions!
Berlinale 2023: The Best of Times and The Worst of Times- An Interview with the Crew of ‘Mad Fate’
The FilmSoc Journal is back for the 73rd edition of Berlinale, with critic Aryan Tauqeer delivering a look at the hits and misses of the …
Roundtable Podcast EP2: Oscars Predictions
The Journal unpacks the 2023 Oscars nominations. Tune in to listen to our Oscars predictions, unpopular opinions, and takes on the Academy! Warning: a lot …
‘Everything Everywhere All At Once’ (2022) Review
Co-editor-in-chief, Madeline, reviews Everything Everywhere All At Once, box-office giant of 2022, and fan-favourite at this year’s Oscars. Everything Everywhere All At Once, living up …
‘Babylon’ (2022) Review
Lavanya reviews Babylon, Damien Chazelle’s feverish new feature, which follows the late 1920s film industry and its doomed lust for glory. “You gave me your …
‘An Cailín Ciúin’ (2022) Review
Ciaran Kelly reviews Colm Bairéad’s Academy Award-nominated An Cailín Ciúin, an Irish language coming-of-age feature that explores a dysfunctional family. 2022 was an incredibly exciting …