Editor-in-chief Pihla Pekkarinen finds disappointment in this Cannes-selected drama. On paper, and at first glance, John and the Hole appears rather impressive. 13-year-old outcast John …
Sundance 2021: ‘John and the Hole’ Review
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The home of film at UCL.
Editor-in-chief Pihla Pekkarinen finds disappointment in this Cannes-selected drama. On paper, and at first glance, John and the Hole appears rather impressive. 13-year-old outcast John …
Ellie Lachs praises an animated documentary about a refugee’s extraordinary journey to Denmark. In this documentary, director Jonas Rasmussen tells the story of his personal …
Editor-in-chief Pihla Pekkarinen appreciates the friendship portrayed in a new American comedy. Matt (Ed Helms) is a single man in his 40s, desperate to be …
Editor-in-chief Tomi Haffety considers a collaborative documentary project about a day in 2020 around the world. A touching portrayal of humanity’s most intricate relationships, Life …
Alexander Hancock reviews dramatic horror ‘Knocking’ and its exploration into mental illness. After being discharged from the psychiatric ward, Molly’s journey back into the outside …
Trigger Warning: This review concerns a documentary on the COVID-19 pandemic and may contain distressing content to some readers. Editor-in-chief Tomi Haffety considers a documentary …
Editor-in-chief Pihla Pekkarinen expresses disappointment in Robin Wright’s inspirational drama. Land had the luck to be this year’s obligatory high-budget Focus Features film premiering at …
Ellie Lachs reviews Rebecca Hall’s dramatic directorial debut exploring the practice of ‘passing’ and the questions it raises about racial identities. Based on Nella Larson’s …
Alexander Hancock reviews an end-of-the-world feature shot entirely during the COVID-19 pandemic. As a colossal asteroid makes its fateful trek to planet earth, 30-something year …
Ellie Lachs reviews Brazilian science fiction thriller exploring the most intimate human relationships. Luli Gerbase’s The Pink Cloud is so on the nose, it’s almost …