The FilmSoc Journal is back for the 30th edition of the Raindance Film Festival, the largest independent film festival in the UK. Aadesh Gupta reviews …
Raindance 2022: ‘Dogwatch’ Review
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The home of film at UCL.
The FilmSoc Journal is back for the 30th edition of the Raindance Film Festival, the largest independent film festival in the UK. Aadesh Gupta reviews …
The FilmSoc Journal is back for the 30th edition of the Raindance Film Festival, the largest independent film festival in the UK. Aadesh Gupta reviews …
The FilmSoc Journal is back for the 30th edition of the Raindance Film Festival, the largest independent film festival in the UK. Elena Goh reviews …
The FilmSoc Journal is back for the 30th edition of the Raindance Film Festival, the largest independent film festival in the UK. Aadesh Gupta reviews …
Zheyuan Tony Yang reviews the struggles of three girls in Switzerland in overcoming their differences in their sisterhood friendship and their tries to make the …
Alexia Mihaila reviews a Polish dystopian story about a boy who tries to stop a corrupt state from legally enslaving criminals. In the Poland of …
Zheyuan Tony Yang reviews the story of three free-spirited women who decide to escape their daily lives and form a gang.
Editor-in-chief Pihla Pekkarinen reviews a Finnish anthology film about experiences of street harassment as part of our Raindance 2020 coverage. A woman’s arse gets grabbed …
Alina Elena reviews a documentary on the Dutch punk scene as part of our Raindance 2020 coverage. Mostly focusing on 16mm and Super 8 footage …
Gabrielle Dowsey examines the implications of Nafi’s Father for African cinema as a whole as part of our Raindance 2020 coverage. In his thoughtful cinematic …