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UCL Film & TV Society Journal

UCL Film & TV Society Journal

The home of film at UCL.

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    • Pre-2018 Archives
Misc. Features

The Soundscape of Sinners Score – African-American Blues and Irish Folks

Essays

Making the Case for AI in Art

Festivals Film Reviews

Who Is My Master and How Have I Come to Be? Universe25 (2025) & A Spontaneous Sunday At The Armenian Film Festival

Essays

La Haine (1995): A Commentary on Systemic State Violence and its Consequences 

Film Reviews

“Love You, Partner”: On Love and the World of Zootopia 2

21 January 201821 January 2018Blog Podcast

PODCAST: Awards Season Special

This week, Calvin and Ivan run through the hot films at the centre of awards season buzz this year, weighing in on the frontrunners, snubs, …

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17 January 201817 January 2018Blog

Love It or Hate It? The Ending of ‘The Florida Project’

A few of our writers butt heads over Sean Baker’s stylistic choices.  WARNING: CONTAINS SPOILERS. The Florida Project, released in late 2017, has been critically …

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16 January 201816 January 2018Blog

‘The Greatest Showman’ Review

Editor Chloe Woods tears into Michael Gracey’s historical musical. Spoilers ahoy! This piece is more commentary than review. Given the chance to ask one question, I …

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15 January 201815 January 2018Blog Podcast

PODCAST: #TimesUp: Hollywood, Hypocrisy, and the Future

In light of the visibility of the Time’s Up campaign at the Golden Globes, Sarah and Maria discuss the storm of allegations ripping through the …

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11 January 201811 January 2018Blog

Central DOCS Club: ‘Walk With Me’ Review

The latest edition of Central DOCS Club, in association with UCL Film Society, featured a screening of Walk With Me, a glimpse into the monastic …

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10 January 201810 January 2018Blog

2017 in Netflix Original Films

Pihla Pekkarinen reviews a few Netflix titles from the past year. Netflix has recently set a target of releasing eighty new original films in 2018. …

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9 January 20189 January 2018Blog

‘A Matter of Life and Death’ Retrospective Review

Milo Garner reconsiders #20 on the BFI’s Best 100 British Films list, recently restored and returned to the big screen. By late 1945, Anglo-American relations were …

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Recent Posts

  • The Soundscape of Sinners Score – African-American Blues and Irish Folks
  • Making the Case for AI in Art
  • Who Is My Master and How Have I Come to Be? Universe25 (2025) & A Spontaneous Sunday At The Armenian Film Festival
  • La Haine (1995): A Commentary on Systemic State Violence and its Consequences 

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