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UCL Film & TV Society Journal

UCL Film & TV Society Journal

The home of film at UCL.

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Festivals Film Reviews

Who Is My Master and How Have I Come to Be? Universe25 (2025) & A Spontaneous Sunday At The Armenian Film Festival

Essays

La Haine (1995): A Commentary on Systemic State Violence and its Consequences 

Film Reviews

“Love You, Partner”: On Love and the World of Zootopia 2

Films Interviews

Challenging Narratives in South Asian Films (Permanent Guest at TIFF)

Films Interviews

Neeraj Ghaywan and the Importance of Telling Underrepresented Stories (Homebound at TIFF)

Updated on 25 November 202025 November 2020Misc. Features

Movies That Feel Like a Warm Hug

Welcome to Lockdown Round 2: Electric Boogaloo! As we have all (hopefully) been staying home for the second time this year, members of our blog …

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Updated on 25 November 202024 November 2020Film Reviews

‘Mossad’ Review — UK Jewish Film Festival

Dan Jacobson reviews spy-comedy ‘Mossad’ and reveals that it doesn’t live up to its humorous hype. There is something particularly telling about the fact that …

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Updated on 23 November 202022 November 2020Film Reviews

‘On the Rocks’ Review

Editor Lydia De Matos scrutinises Sofia Coppola’s disappointing latest feature. You know how some films just kind of feel like they were made for television? …

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Updated on 22 November 202020 November 2020Essays

Céline Sciamma’s ‘Portrait of a Lady on Fire’ Is the Picture of Love Our Time Needs

Anna Ainio measures this French period piece against the theory of ‘the female gaze’. One of the first scenes of Céline Sciamma’s Portrait of a Lady …

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Updated on 19 November 202019 November 2020Podcast

Celluloid for the Soul Ep. 1 (UCL FilmSoc Podcast)

Celluloid for the Soul is all about comfort movies. Those films that bring us joy and warm our souls, that have helped us through difficult …

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Updated on 18 November 202018 November 2020Film Reviews

‘Black Mercedes’ Review- UK Jewish Film Festival

Ellie Lachs reviews a whodunnit set in Nazi-occupied Poland, filled with complex love triangles and webs of deceit. The body of a beautiful young woman, …

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Updated on 17 November 202017 November 2020Film Reviews

‘Pixie’ Review

Luigi Barraza Cárdenas reviews this cheeky but forgettable comedy thriller. Written and directed by father-son team Preston and Barnaby Thompson, Pixie is a comedy-thriller that …

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Updated on 19 November 202016 November 2020Podcast

Jamie’s Terrible Film School Ep. 1: The Thing (UCL FilmSoc Podcast)

Jamie has seen many films, and Harry has seen very few. In this podcast, Jamie guides Harry through their own personal canon of films that …

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Updated on 19 November 202014 November 2020Film Reviews

‘When Hitler Stole Pink Rabbit’ Review – UK Jewish Film Festival

Ellie Lachs reviews this inspiring German tale of familial bonds and resilience. This year’s Jewish Film Festival kicked off with Caroline Link’s adaptation of Judith …

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Updated on 13 November 202013 November 2020Film Reviews

Raindance Film Festival: ‘Force of Habit’ Review

Editor-in-chief Pihla Pekkarinen reviews a Finnish anthology film about experiences of street harassment as part of our Raindance 2020 coverage. A woman’s arse gets grabbed …

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Recent Posts

  • Who Is My Master and How Have I Come to Be? Universe25 (2025) & A Spontaneous Sunday At The Armenian Film Festival
  • La Haine (1995): A Commentary on Systemic State Violence and its Consequences 
  • “Love You, Partner”: On Love and the World of Zootopia 2
  • Challenging Narratives in South Asian Films (Permanent Guest at TIFF)

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