Carys Manjdadria-Jenkins returns to the end of the twentieth century (and possibly the world) the final instalment of Gregg Araki’s sci-fi Teenage Apocalypse Trilogy. At …
Nowhere (1997)

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Carys Manjdadria-Jenkins returns to the end of the twentieth century (and possibly the world) the final instalment of Gregg Araki’s sci-fi Teenage Apocalypse Trilogy. At …

Carys Manjdadria-Jenkins looks back on Powell’s controversial horror with its unflinching 4K restoration. The 4K restoration of Michael Powell’s 1960 psychological horror Peeping Tom indulgesthe …

Anya Somwaiya reviews Korine’s debut feature, Gummo, a mood board for the decades that followed. Scotch taped wall bacon. Albinos and drunkards. Girls with noeyebrows …

Anya Somwaiya reviews Sorayos Prapapan’s comic portrait of Thai culture and the doctrines of education. Prapapan, in his pilled zip-up and wrinkled tie-dye tee at …

A chill in the wind. The tentative turning of a leaf. The sudden urge to hold onto a warm cup of something in your gloved …

In many ways, the work of a critic is easy. We risk very little yet enjoy a position over those who offer up their work …

The Festival of the Moving Image (FOMI) is set to captivate audiences once again this year. Ahead of the 2024 festival’s launch on May 20th, …

Aryan Khawaja reviews Luca Guadagnino’s latest film Challengers, a decade-spanning melodrama set in the world of pro tennis that revolves around the relationship between youth …

Now the sand has settled on Denis Villeneuve’s second instalment in the hallucinatory sci-fi saga, Jamie Carlstrand writes about why he thinks the film joins …

Riley was screened at this year’s BFI Flare Festival to sold out audiences and Jamie Carlstrand got the opportunity to sit down with its director …