In many ways, the work of a critic is easy. We risk very little yet enjoy a position over those who offer up their work …
Why We Talk About Film.

The home of film at UCL.
In many ways, the work of a critic is easy. We risk very little yet enjoy a position over those who offer up their work …
The Festival of the Moving Image (FOMI) is set to captivate audiences once again this year. Ahead of the 2024 festival’s launch on May 20th, …
Aryan Khawaja reviews Luca Guadagnino’s latest film Challengers, a decade-spanning melodrama set in the world of pro tennis that revolves around the relationship between youth …
Now the sand has settled on Denis Villeneuve’s second instalment in the hallucinatory sci-fi saga, Jamie Carlstrand writes about why he thinks the film joins …
Riley was screened at this year’s BFI Flare Festival to sold out audiences and Jamie Carlstrand got the opportunity to sit down with its director …
The FilmSoc Journal is back for the 74th edition of the Berlinale, with critic Elena Xiang delivering a look at the hits and misses of …
Aryan Tauqeer Khawaja interviews Academy Award-nominated filmmaker Ryusuke Hamaguchi about his latest film, Evil Does Not Exist. Out of all the filmmakers to have emerged …
Shaza Hafez reviews “Un Amor”, a melancholic portrait of psychosexual angst
Shaza Hafez explores this satirical dark comedy about the great lengths we go to in our self-centred quest to gain attention
James Carlstrand reflects on last year’s indie hit as the film garners nominations during this ongoing awards season. There is a moment in Past Lives where our …