Alexander Hancock reviews an end-of-the-world feature shot entirely during the COVID-19 pandemic. As a colossal asteroid makes its fateful trek to planet earth, 30-something year …
Sundance 2021: ‘How It Ends’ Review

The home of film at UCL.

Alexander Hancock reviews an end-of-the-world feature shot entirely during the COVID-19 pandemic. As a colossal asteroid makes its fateful trek to planet earth, 30-something year …

The Japan Foundation Touring Film Programme runs from February 19th until March 10th, and this year focuses on the theme of ‘This is My Place’, …

Ellie Lachs reviews Brazilian science fiction thriller exploring the most intimate human relationships. Luli Gerbase’s The Pink Cloud is so on the nose, it’s almost …

The Japan Foundation Touring Film Programme runs from February 19th until March 10th, and this year focuses on the theme of ‘This is My Place’, …

Editor-in-chief Tomi Haffety joins two friends taking a road trip into the past. With an energetic feature that encapsulates both his life experiences and fast-paced …

Ellie Lachs hails Questlove’s directorial debut and Sundance success Summer of Soul. In 1969, The Harlem Cultural Festival took over Mount Morris Park. It was …

Editor-in-Chief Pihla Pekkarinen reviews the highly anticipated animation from Dash Shaw. Cryptozoo was one of the films I was most excited to see at Sundance …

Anna Ainio reviews a harrowing story of loss and the tragic events that unfold after the trauma of stillbirth in ‘Pieces of a Woman’. How …

Alexander Hancock reviews George Clooney’s latest directorial effort. In 2049, planet Earth is a wasteland. Mass radiation has ravaged the world after an ambiguous “event”, …

Dan Jacobson reviews the creative feature Shiva Baby, exploring the dynamic between a young Jewish woman and her traditional family. As I’ve mentioned in previous …