BFI’s London Film Festival is in town! The FilmSoc Blog is back for the 66th edition of the city’s largest film festival, delivering a look …
London Film Festival 2022: ‘Pacifiction’ Review
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London Film Festival 2022: ‘Aftersun’ Review
BFI’s London Film Festival is in town! The FilmSoc Blog is back for the 66th edition of the city’s largest film festival, delivering a look …
London Film Festival 2022: ‘The Eternal Daughter’ Review
BFI’s London Film Festival is in town! The FilmSoc Blog is back for the 66th edition of the city’s largest film festival, delivering a look …
Slamdance ’22 : Our Favourite Shorts
Slamdance is one of the most exciting independent film festivals in the US now reaching its 28th edition. Here are our editor’s, Alexia Mihaila, favorite …
‘The Northman’ (2022) – Review
Alexia Mihaila reviews Robert Eggers’ long-awaited third feature, a viking revenge saga starring Alexander Skarsgård, Nicole Kidman, and Anya Taylor-Joy. The Northman isn’t Eggers’ first …
BFI Flare 2022: ‘Fragrance of the First Flower’ (2021) (第一次遇見花香的那刻）Review
BFI’s Flare is back in town! The FilmSoc Blog is back for the 36th edition of the city’s largest LGBTQIA+ film festival, delivering a look …
‘The Worst Person in the World’ (2021) Review
Madeline Choi reviews Joachim Trier’s beautifully told story of love, confusion, and understanding. What a title. The Worst Person in the World. Immediately, it confronts …
‘The Card Counter’ (2021) Review
Aryan Tauqeer reviews Paul Schrader’s newest directorial venture. A mirror image of many of the traits he writes for his characters, Paul Schrader has grown …
‘Memoria’ (2021) Review
Editor-in-Chief Lydia de Matos reviews Cannes’ 2021 Jury Prize winner, a mysterious slow-burner from director Apichatpong Weerasethakul A film defined by a sound; both its …
‘Cinderella’ (2021) Review
Cinderella is Camila Cabello’s acting debut and it is as bad as most expected it. The film follows the mildly successful sex comedy film, Blockers, …