BFI’s London Film Festival is in town! The FilmSoc Blog is back for the 66th edition of the city’s largest film festival, delivering a look …
London Film Festival 2022: ‘Corsage’ Review
film review
Venice Film Festival 2022: ‘White Noise’ Review
The FilmSoc Journal is back for the the 79th edition of Venice film festival, with critic Aryan Tauqeer delivering a look at the hits and …
‘Sunset Boulevard’ Review
Madeline Choi reviews Billy Wider’s classic film noir comedy Sunset Boulevard, which screened at FOMI 2022. The first day of this year’s Festival of the …
LIFF 2022: ‘Urf’ Review
Aryan Tauqeer reviews Geetika Narang Abbasi’s Urf, a documentary following the lives of three Bollywood-star look-alikes. In 2016, the project that director Maneesh Sharma had …
LIFF 2022: ‘Once Upon a Time in Calcutta’ Review
Aryan Tauqeer reviews Once Upon a Time in Calcutta, Aditya Vikram Sengupta’s cinematic letter to the city of Kolkata. Earlier last year, the incumbent Bharatiya …
LIFF 2022: ‘Do Baaraa’ Review
Aryan Tauqeer reviews LIFF’s opening night film Do Baaraa, an Anurag Kashyap mystery drama. “Gangs of Wasseypur has been my greatest undoing” This was Anurag …
Slamdance ’22 : Our Favourite Shorts
Slamdance is one of the most exciting independent film festivals in the US now reaching its 28th edition. Here are our editor’s, Alexia Mihaila, favorite …
‘The Northman’ (2022) – Review
Alexia Mihaila reviews Robert Eggers’ long-awaited third feature, a viking revenge saga starring Alexander Skarsgård, Nicole Kidman, and Anya Taylor-Joy. The Northman isn’t Eggers’ first …
BFI Flare 2022: ‘Fragrance of the First Flower’ (2021) (第一次遇見花香的那刻）Review
BFI’s Flare is back in town! The FilmSoc Blog is back for the 36th edition of the city’s largest LGBTQIA+ film festival, delivering a look …
‘The Worst Person in the World’ (2021) Review
Madeline Choi reviews Joachim Trier’s beautifully told story of love, confusion, and understanding. What a title. The Worst Person in the World. Immediately, it confronts …