Co-editor-in-chief, Madeline, reviews Everything Everywhere All At Once, box-office giant of 2022, and fan-favourite at this year’s Oscars. Everything Everywhere All At Once, living up …
‘Everything Everywhere All At Once’ (2022) Review

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Co-editor-in-chief, Madeline, reviews Everything Everywhere All At Once, box-office giant of 2022, and fan-favourite at this year’s Oscars. Everything Everywhere All At Once, living up …
Lavanya reviews Babylon, Damien Chazelle’s feverish new feature, which follows the late 1920s film industry and its doomed lust for glory. “You gave me your …
Ciaran Kelly reviews Colm Bairéad’s Academy Award-nominated An Cailín Ciúin, an Irish language coming-of-age feature that explores a dysfunctional family. 2022 was an incredibly exciting …
What better way to spend Valentines Day than cozy-up watching films recommended by the Filmsoc Journal? Spice up the atmosphere or bawl your eyes by …
Slamdance Film Festival is kicking off the new year with films from emerging artists! The FilmSoc Journal is back to deliver the hits and misses …
Editor-in-Chief Alexia Mihaila shares her favourite picks of shorts from the 2022 SXSW festival. The Voice Actress (2022) Having won a special jury award at …
Aryan Tauqeer reviews John Hyams’ pandemic slasher film. When Wes Craven’s seminal Scream hit theatres in the winter of 1996, it represented the birth of …
Shaza Hafez reviews the biographical sports drama by Sally El-Hosaini – an unconventional journey of the Hollywood hero. The Swimmers tells the true story of …
Lavanya Nayar reviews James Cameron’s long-anticipated sequel to his 2010 sci-fi epic, starring Sam Worthington, Zoe Saldaña, Sigourney Weaver and Stephen Lang. Fourteen years ago, …
London Korean Film Festival has returned for its 17th edition. From new releases to hits from renowned Korean directors, the FilmSoc Journal reviews a selection …