Elena Xiang reviews Todd Haynes’s May December, a dark comedy that explores notions of truth and performance in the age of social media and reality TV.
Cannes 2023: ‘May December’ Review
film festival
Raindance 2022: ‘Dogwatch’ Review
The FilmSoc Journal is back for the 30th edition of the Raindance Film Festival, the largest independent film festival in the UK. Aadesh Gupta reviews …
Berlinale 2023: The Best of Times and The Worst of Times- An Interview with the Crew of ‘Mad Fate’
The FilmSoc Journal is back for the 73rd edition of Berlinale, with critic Aryan Tauqeer delivering a look at the hits and misses of the …
Slamdance 2023: ‘Stars in the Ordinary Universe’ Review
Slamdance Film Festival is kicking off the new year with films from emerging artists! The FilmSoc Journal is back to deliver the hits and misses …
South by Southwest SXSW (2022) – Our Favourite Shorts
Editor-in-Chief Alexia Mihaila shares her favourite picks of shorts from the 2022 SXSW festival. The Voice Actress (2022) Having won a special jury award at …
Raindance 2022: ‘Goldfish’ Review
The FilmSoc Journal is back for the 30th edition of the Raindance Film Festival, the largest independent film festival in the UK. Aadesh Gupta reviews …
LKFF 2022: ‘The Thieves’ Review
London Korean Film Festival has returned for its 17th edition. From new releases to hits from renowned Korean directors, the FilmSoc Journal reviews a selection …
LKFF 2022: ‘The Anchor’ Review
London Korean Film Festival has returned for its 17th edition. From new releases to hits from renowned Korean directors, the FilmSoc Journal reviews a selection …
LKFF 2022: ‘Return to Seoul’ Review
London Korean Film Festival has returned for its 17th edition. From new releases to hits from renowned Korean directors, the FilmSoc Journal reviews a selection …
LEAFF 2022: ‘Goddamned Asura’ Review
LEAFF 2022 celebrates its seventh year with a programme of 43 films from celebrated and debut filmmakers. Championing East Asian cinema, LEAFF aims to bring …