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UCL Film & TV Society Journal

UCL Film & TV Society Journal

The home of film at UCL.

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Film Reviews

Frankenstein (2025): All the Right Dismembered Pieces, All the Wrong Moves

Film Reviews

Should Films Offer Solutions?: Eddington and its Tireless Warnings

Essays

The Lost Grammar of Emotion in Film: Why Modern Audiences Take Melodramas Less Seriously

Misc. Features

The Christmas Movie: Discussion by a Lover of Summer

Film Reviews

Caught Stealing (2025)

23 January 202423 January 2024Film Reviews

The Boy and The Heron (2023)

Emily Chen reviews the highly-anticipated return of Miyazaki to the Ghibli animated universe.  Hopeful surrealist impressionism  Kimchi Nabe – the spice will make your tongue …

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21 January 202421 January 2024Festivals Film Reviews

LFF 2023: ‘Priscilla’ Review

Elena Goh reviews Coppola’s ‘Priscilla’ . The film adapts Priscilla Presley’s memoir Elvis and Me, focussing on the timeline of her relationship with Elvis Presley. …

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Updated on 15 January 202415 January 2024Essays

A Tale of Two Decades: Cinematic Conversation between Jonze and Coppola

Oscar McFie Lyons draws the connections between Spike Jonze’s Her and Sofia Coppala’s Lost in Translation, unearthing what the interplay between the once married pair …

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Updated on 15 January 202415 January 2024Essays Retrospectives

The X-Files: Fight the Future “Neonoirvember” at Prince Charles Cinema

Sub-Editor Mayra Nassef takes a look at the cultural impact of genre-bending The X-Files following its 30th anniversary screening at the Prince Charles Cinema, asking …

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Updated on 15 January 202415 January 2024Festivals Film Reviews

The Portrait: Standing on the Threshold (Raindance 2023)

Paige Johnson reviews The Portrait, a masterclass in madness on screen, premiered at Raindance Film Festival. A psychological thriller with exquisite attention to detail and …

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10 January 202410 January 2024Film Reviews

Raindance 2023 : Blood for Dust

Aarya Shah reviews this cautionary tale of morality being driven out by greed and despair. Blood For Dust begins with a gunshot followed by a …

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10 January 202410 January 2024Film Reviews

Raindance 2023: ‘Warhol’ Review

Ed Lahner reviews ‘Warhol’, a thriller set in London that provides a sharp social commentary on the digitalisation of urban life. “In the future, everyone …

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Updated on 10 January 202410 January 2024Film Reviews

LFF 2023: ‘The Killer’ Review

The London Film Festival returned this past October featuring a wide array of British, Hollywood and International cinema. Aryan Taqueer reviews David Fincher’s The Killer. …

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Updated on 18 February 202431 December 2023Misc. Features Retrospectives

Committee Favourites: 2023 Edition

At the end of a fantastic year for cinema, these are the films that defined ours. While most of the films listed had their UK …

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Updated on 18 February 202431 December 2023Essays Film Reviews

LFF 2023: ‘Ferrari’ Review

Aryan Tauqeer reviews Ferrari, Michael Mann’s meditative drama about the titular automobile magnate’s famial and professional strife, and his racers that stand at the intersection between the two.

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Recent Posts

  • Frankenstein (2025): All the Right Dismembered Pieces, All the Wrong Moves
  • Should Films Offer Solutions?: Eddington and its Tireless Warnings
  • The Lost Grammar of Emotion in Film: Why Modern Audiences Take Melodramas Less Seriously
  • The Christmas Movie: Discussion by a Lover of Summer

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