Emily Chen reviews the highly-anticipated return of Miyazaki to the Ghibli animated universe. Hopeful surrealist impressionism Kimchi Nabe – the spice will make your tongue …
The Boy and The Heron (2023)

The home of film at UCL.

Emily Chen reviews the highly-anticipated return of Miyazaki to the Ghibli animated universe. Hopeful surrealist impressionism Kimchi Nabe – the spice will make your tongue …

Elena Goh reviews Coppola’s ‘Priscilla’ . The film adapts Priscilla Presley’s memoir Elvis and Me, focussing on the timeline of her relationship with Elvis Presley. …

Oscar McFie Lyons draws the connections between Spike Jonze’s Her and Sofia Coppala’s Lost in Translation, unearthing what the interplay between the once married pair …

Sub-Editor Mayra Nassef takes a look at the cultural impact of genre-bending The X-Files following its 30th anniversary screening at the Prince Charles Cinema, asking …

Paige Johnson reviews The Portrait, a masterclass in madness on screen, premiered at Raindance Film Festival. A psychological thriller with exquisite attention to detail and …

Aarya Shah reviews this cautionary tale of morality being driven out by greed and despair. Blood For Dust begins with a gunshot followed by a …

Ed Lahner reviews ‘Warhol’, a thriller set in London that provides a sharp social commentary on the digitalisation of urban life. “In the future, everyone …

The London Film Festival returned this past October featuring a wide array of British, Hollywood and International cinema. Aryan Taqueer reviews David Fincher’s The Killer. …

At the end of a fantastic year for cinema, these are the films that defined ours. While most of the films listed had their UK …

Aryan Tauqeer reviews Ferrari, Michael Mann’s meditative drama about the titular automobile magnate’s famial and professional strife, and his racers that stand at the intersection between the two.