Now the sand has settled on Denis Villeneuve’s second instalment in the hallucinatory sci-fi saga, Jamie Carlstrand writes about why he thinks the film joins …
Dune: Part 2 review

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Now the sand has settled on Denis Villeneuve’s second instalment in the hallucinatory sci-fi saga, Jamie Carlstrand writes about why he thinks the film joins …

Riley was screened at this year’s BFI Flare Festival to sold out audiences and Jamie Carlstrand got the opportunity to sit down with its director …

The FilmSoc Journal is back for the 74th edition of the Berlinale, with critic Elena Xiang delivering a look at the hits and misses of …

Aryan Tauqeer Khawaja interviews Academy Award-nominated filmmaker Ryusuke Hamaguchi about his latest film, Evil Does Not Exist. Out of all the filmmakers to have emerged …

Shaza Hafez reviews “Un Amor”, a melancholic portrait of psychosexual angst

Shaza Hafez explores this satirical dark comedy about the great lengths we go to in our self-centred quest to gain attention

James Carlstrand reflects on last year’s indie hit as the film garners nominations during this ongoing awards season. There is a moment in Past Lives where our …

James Carlstrand reviews Craig Gillespie’s big screen adaptation of 2021s viral GameStop story. Dumb Money will undoubtedly receive much comparison to The Big Short, after all both …

James Carlstrand summarises a lively and insightful workshop with The Telegraph’s film critic Tim Robey On a cold Thursday evening back in November the Film …

Mayra Nassef, FilmSoc Journal’s International Film Festival Rotterdam correspondent, interviews Helena Stefánsdottir, Icelandic director of Bon Appetit (2011) and her new feature Natatorium (2024). “Natatorium” …