Kerem Uzdiyen reviews Martin Scorsese’s long-awaited gangster epic. This review contains no spoilers. Did Martin Scorsese follow up on his recent “real cinema” remarks by …
‘The Irishman’ Review

The home of film at UCL.

Kerem Uzdiyen reviews Martin Scorsese’s long-awaited gangster epic. This review contains no spoilers. Did Martin Scorsese follow up on his recent “real cinema” remarks by …

Sofía Korous Vázquez explores the exquisite visuals of a Kieślowski masterpiece. This past week FilmSoc screened Krzysztof Kieślowski’s The Double Life of Veronique (1991), a …

A selection of our writers review and recommend their favourite horror films to add to your Halloween watch list. Check them out if you dare. …

Kirese Narinesingh reviews Robert Eggers’ acclaimed new film. This review contains minor spoilers. At one point in The Lighthouse, Robert Pattinson’s forlorn, spiritually exhausted character …

Editor KC Wingert reviews Michael Caton-Jones’ female-led film at BFI LFF 2019. The Scottish comedy Our Ladies made its world premiere on Friday, 4th October, …

Audrey Ciancioni and Margot Lumb review Todd Phillips’ divisive new take on the infamous DC villain. This review contains minor spoilers. The newly released Joker …

Milo Garner reviews Werner Herzog’s intimate new film at BFI LFF 2019. Werner Herzog has a penchant for representing the alienated. His great films of …

Milo Garner meets Orçun Behram’s horror debut, The Antenna, at BFI LFF 2019. I met The Antenna at a party and he wouldn’t shut the fuck …

Emma Davis reviews Ciro Guerra’s latest colonial drama. Waiting for the Barbarians follows a man called the Magistrate (Mark Rylance) over the course of a …

Editor KC Wingert reviews Chinonye Chukwu’s powerful debut. With her sophomore feature Clemency, writer-director Chinonye Chukwu made history as the first black woman to win …