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UCL Film & TV Society Journal

UCL Film & TV Society Journal

The home of film at UCL.

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Festivals Film Reviews

Who Is My Master and How Have I Come to Be? Universe25 (2025) & A Spontaneous Sunday At The Armenian Film Festival

Essays

La Haine (1995): A Commentary on Systemic State Violence and its Consequences 

Film Reviews

“Love You, Partner”: On Love and the World of Zootopia 2

Films Interviews

Challenging Narratives in South Asian Films (Permanent Guest at TIFF)

Films Interviews

Neeraj Ghaywan and the Importance of Telling Underrepresented Stories (Homebound at TIFF)

14 February 202114 February 2021Film Reviews

Sundance 2021: ‘Life in a Day 2020’ Review

Editor-in-chief Tomi Haffety considers a collaborative documentary project about a day in 2020 around the world. A touching portrayal of humanity’s most intricate relationships, Life …

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Updated on 14 February 202114 February 2021Film Reviews

Sundance 2021: ‘Knocking’ Review

Alexander Hancock reviews dramatic horror ‘Knocking’ and its exploration into mental illness. After being discharged from the psychiatric ward, Molly’s journey back into the outside …

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13 February 202113 February 2021Film Reviews

Sundance 2021: ‘In the Same Breath’ Review

Trigger Warning: This review concerns a documentary on the COVID-19 pandemic and may contain distressing content to some readers. Editor-in-chief Tomi Haffety considers a documentary …

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Updated on 12 February 202112 February 2021Film Reviews

Sundance 2021: ‘Land’ Review

Editor-in-chief Pihla Pekkarinen expresses disappointment in Robin Wright’s inspirational drama. Land had the luck to be this year’s obligatory high-budget Focus Features film premiering at …

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Updated on 11 February 202111 February 2021Film Reviews

Sundance 2021: ‘Passing’ Review

Ellie Lachs reviews Rebecca Hall’s dramatic directorial debut exploring the practice of ‘passing’ and the questions it raises about racial identities. Based on Nella Larson’s …

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Updated on 11 February 202111 February 2021Podcast

Classic Classics Ep. 3: ‘Fight Club’ (UCL FilmSoc Podcast)

What films would still cause crowds to flock to Leicester Square, despite being made many years ago? Maria and Luigi embark on a deep dive …

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Updated on 10 February 202110 February 2021Film Reviews

Sundance 2021: ‘How It Ends’ Review

Alexander Hancock reviews an end-of-the-world feature shot entirely during the COVID-19 pandemic. As a colossal asteroid makes its fateful trek to planet earth, 30-something year …

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Updated on 9 February 20219 February 2021Film Reviews

JFTFP 2021: ‘Shape of Red’ Review

The Japan Foundation Touring Film Programme runs from February 19th until March 10th, and this year focuses on the theme of ‘This is My Place’, …

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Updated on 9 February 20218 February 2021Film Reviews

Sundance 2021: ‘The Pink Cloud’ Review

Ellie Lachs reviews Brazilian science fiction thriller exploring the most intimate human relationships. Luli Gerbase’s The Pink Cloud is so on the nose, it’s almost …

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Updated on 8 February 20217 February 2021Film Reviews

JFTFP 2021: ‘Labyrinth of Cinema’ Review

The Japan Foundation Touring Film Programme runs from February 19th until March 10th, and this year focuses on the theme of ‘This is My Place’, …

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Recent Posts

  • Who Is My Master and How Have I Come to Be? Universe25 (2025) & A Spontaneous Sunday At The Armenian Film Festival
  • La Haine (1995): A Commentary on Systemic State Violence and its Consequences 
  • “Love You, Partner”: On Love and the World of Zootopia 2
  • Challenging Narratives in South Asian Films (Permanent Guest at TIFF)

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