Skip to Content
  • Forum
  • Instagram
  • Facebook
  • Society Website
UCL Film & TV Society Journal

UCL Film & TV Society Journal

The home of film at UCL.

  • About the Journal
  • Film Reviews
  • Essays
  • Misc. Features
  • Podcast
  • Newsletter
  • Contact us
  • Archive
    • Pre-2018 Archives
Film Reviews

Frankenstein (2025): All the Right Dismembered Pieces, All the Wrong Moves

Film Reviews

Should Films Offer Solutions?: Eddington and its Tireless Warnings

Essays

The Lost Grammar of Emotion in Film: Why Modern Audiences Take Melodramas Less Seriously

Misc. Features

The Christmas Movie: Discussion by a Lover of Summer

Film Reviews

Caught Stealing (2025)

Updated on 6 May 20226 May 2022Film Reviews

Slamdance ’22 : Our Favourite Shorts

Slamdance is one of the most exciting independent film festivals in the US now reaching its 28th edition. Here are our editor’s, Alexia Mihaila, favorite …

Read More
Updated on 12 September 202224 April 2022Film Reviews

‘The Northman’ (2022) – Review

Alexia Mihaila reviews Robert Eggers’ long-awaited third feature, a viking revenge saga starring Alexander Skarsgård, Nicole Kidman, and Anya Taylor-Joy. The Northman isn’t Eggers’ first …

Read More
Updated on 12 September 202222 April 2022Film Reviews

BFI Flare 2022: ‘Fragrance of the First Flower’ (2021) (第一次遇見花香的那刻)Review

BFI’s Flare is back in town! The FilmSoc Blog is back for the 36th edition of the city’s largest LGBTQIA+ film festival, delivering a look …

Read More
Updated on 23 October 202327 March 2022Podcast

Podcast: Thoughts on the Oscar Nominations (2022)

The co-editors-in-chief, Lydia De Matos and Alexia Mihaila, discuss the Oscar nominations ahead of tonight’s Academy Awards ceremony, thinking of their favourites to win and …

Read More
13 March 202213 March 2022Film Reviews

‘The Worst Person in the World’ (2021) Review

Madeline Choi reviews Joachim Trier’s beautifully told story of love, confusion, and understanding. What a title. The Worst Person in the World. Immediately, it confronts …

Read More
Updated on 12 September 20222 March 2022Film Reviews

‘Your Name Engraved Herein (刻在你心底的名字)(2020)’ – Review

“If what you give me is the same as what you give others, then I don’t want it.” Your Name Engraved Herein, Birdy To be …

Read More
Updated on 12 September 20222 March 2022Film Reviews

‘Ride or Die (彼女)’ (2021) – Review

Elena Goh reviews this complex and problematic Netflix produced Japanese psychological thriller about a toxic and intense lesbian couple. “You smile when you lie,” Rei …

Read More
Updated on 21 February 202221 February 2022Film Reviews

‘Licorice Pizza’ gave me a funny tummy

With a name like Licorice Pizza, it’s perhaps unsurprising that Paul Thomas Anderson’s latest feature has divided people’s tastes. However, when I returned home from the …

Read More
Updated on 2 March 202211 February 2022Essays

Metatextuality and ‘The Matrix Resurrections’

A reflection. An image all too familiar from countless bouts of repetition, inscribed into the mind. The shadows, the sheen, the sounds-they’re all the same. …

Read More
Updated on 28 January 202228 January 2022Film Reviews

‘Drive My Car’ (2021) Review

Madeline Choi reviews Ryūsuke Hamaguchi’s thoughtfully moving adaptation of Murakami. “The script is a vehicle”— Dir. Ryūsuke Hamaguchi  Expanding from Haruki Murakami’s short story of …

Read More

Posts pagination

Previous Page 1 … Page 15 Page 16 Page 17 … Page 52 Next

Recent Posts

  • Frankenstein (2025): All the Right Dismembered Pieces, All the Wrong Moves
  • Should Films Offer Solutions?: Eddington and its Tireless Warnings
  • The Lost Grammar of Emotion in Film: Why Modern Audiences Take Melodramas Less Seriously
  • The Christmas Movie: Discussion by a Lover of Summer

Archives

Categories

© Copyright 2025 UCL Film & TV Society Journal. All Rights Reserved. Vilva | Developed By Blossom Themes. Powered by WordPress.