Emily Chen reviews the highly-anticipated return of Miyazaki to the Ghibli animated universe. Hopeful surrealist impressionism Kimchi Nabe – the spice will make your tongue …
The Boy and The Heron (2023)

The home of film at UCL.

Emily Chen reviews the highly-anticipated return of Miyazaki to the Ghibli animated universe. Hopeful surrealist impressionism Kimchi Nabe – the spice will make your tongue …

Elena Goh reviews Coppola’s ‘Priscilla’ . The film adapts Priscilla Presley’s memoir Elvis and Me, focussing on the timeline of her relationship with Elvis Presley. …

Paige Johnson reviews The Portrait, a masterclass in madness on screen, premiered at Raindance Film Festival. A psychological thriller with exquisite attention to detail and …

Aarya Shah reviews this cautionary tale of morality being driven out by greed and despair. Blood For Dust begins with a gunshot followed by a …

Ed Lahner reviews ‘Warhol’, a thriller set in London that provides a sharp social commentary on the digitalisation of urban life. “In the future, everyone …

The London Film Festival returned this past October featuring a wide array of British, Hollywood and International cinema. Aryan Taqueer reviews David Fincher’s The Killer. …

Aryan Tauqeer reviews Ferrari, Michael Mann’s meditative drama about the titular automobile magnate’s famial and professional strife, and his racers that stand at the intersection between the two.

Less than a year after his sophomore feature Sick of Myself, Norwegian filmmaker Kristoffer Borgli boldly returns with a surreal portrait of what it entails to become …

London East Asia Film Festival 2023 returns to London with a diverse programme from East and Southeast Asia, including international and UK premieres. Sarah Goy …

London East Asia Film Festival 2023 returns to London with a diverse programme from East and Southeast Asia, including international and UK premieres. Chris Zhang …