The FilmSoc Journal is back for the the 79th edition of Venice film festival, with critic Aryan Tauqeer delivering a look at the hits and …
Venice Film Festival 2022: ‘The Kingdom: Exodus’ Review
Film Reviews
Venice Film Festival 2022: ‘White Noise’ Review
The FilmSoc Journal is back for the the 79th edition of Venice film festival, with critic Aryan Tauqeer delivering a look at the hits and …
Cannes Film Festival 2022: ‘Triangle of Sadness’
The FilmSoc Journal is back for the 75th edition of the largest film festival in France, delivering a look at the hits and misses of …
Cannes Film Festival 2022: Coupez!
The FilmSoc Journal is back for the 75th edition of the largest film festival in France, delivering a look at the hits and misses of …
‘Sunset Boulevard’ Review
Madeline Choi reviews Billy Wider’s classic film noir comedy Sunset Boulevard, which screened at FOMI 2022. The first day of this year’s Festival of the …
‘Ticket to Paradise’ (2022) – Review
Madeline Choi reviews the newest rom-com tropes following flick that will make you laugh and space out to ‘exotic’ lands. Another classic feel-good formulaic rom-com, …
BFI Flare 2022: ‘Passion’ Review
Mara Dinu reviews Maja Borg’s daring documentary about the ties between the worship differences in sex-movements and religion. Everybody experiences the world uniquely and relationships …
LIFF 2022: ‘Urf’ Review
Aryan Tauqeer reviews Geetika Narang Abbasi’s Urf, a documentary following the lives of three Bollywood-star look-alikes. In 2016, the project that director Maneesh Sharma had …
LIFF 2022: ‘Once Upon a Time in Calcutta’ Review
Aryan Tauqeer reviews Once Upon a Time in Calcutta, Aditya Vikram Sengupta’s cinematic letter to the city of Kolkata. Earlier last year, the incumbent Bharatiya …
LIFF 2022: ‘Do Baaraa’ Review
Aryan Tauqeer reviews LIFF’s opening night film Do Baaraa, an Anurag Kashyap mystery drama. “Gangs of Wasseypur has been my greatest undoing” This was Anurag …