Nutshell: A chic polished departure. Aftertaste: A refreshing, ice-cold glass of blood orange juice—its initial sweetness bursting with the vitality of life, followed by a …
The Room Next Door (2024)– Framed by death but full of life.

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Nutshell: A chic polished departure. Aftertaste: A refreshing, ice-cold glass of blood orange juice—its initial sweetness bursting with the vitality of life, followed by a …

Storytelling often finds itself on that straight and narrow path which begins with a beginning and ends with an end. The Stimming Pool (2024), however, …

The Festival of the Moving Image (FOMI) is set to captivate audiences once again this year. Ahead of the 2024 festival’s launch on May 20th, …

Riley was screened at this year’s BFI Flare Festival to sold out audiences and Jamie Carlstrand got the opportunity to sit down with its director …

The FilmSoc Journal is back for the 74th edition of the Berlinale, with critic Elena Xiang delivering a look at the hits and misses of …

Shaza Hafez reviews “Un Amor”, a melancholic portrait of psychosexual angst

Following the recent streaming release of Daniel Kaluuya’s directiorial debut, The Kitchen, Jamie Carlstrand shares his visit to last year’s London Film Festival where the …

Elena Goh reviews Coppola’s ‘Priscilla’ . The film adapts Priscilla Presley’s memoir Elvis and Me, focussing on the timeline of her relationship with Elvis Presley. …

Paige Johnson reviews The Portrait, a masterclass in madness on screen, premiered at Raindance Film Festival. A psychological thriller with exquisite attention to detail and …