*Spoilers Ahead for Mulholland Drive (2001) It opens with a background of deep, theatrical purple – a backdrop that is clearly artificially imposed. In the …
25 Years of Mulholland Drive: Recalling Hollywood’s False Promises

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*Spoilers Ahead for Mulholland Drive (2001) It opens with a background of deep, theatrical purple – a backdrop that is clearly artificially imposed. In the …

Introduction For most with a more than moderate interest in film, particularly experimentation, surrealism and the avant-garde occupy this discomforting and inaccessible figure. The general …

Portrait of Edmond de Belamy (2018) by Obvious, an early work of AI generated art “Don’t criticise what you can’t understand.” – Bob Dylan (1964) …

Mathieu Kassovitz’s La Haine (1995) is an unflinching commentary on police brutality, racial inequality, and the alienation of marginalised youth within France. Set over 24 …

Earlier this year, I caught a re-release of Luchino Visconti’s family saga, Rocco and His Brothers (1960) at BFI Southbank. While I thoroughly enjoyed the …

Death is a common theme we often encounter in films, but what about the procedure that follows a person’s death? They are usually overlooked as …

Edward Lahner looks back on Herbert J Biberman’s Salt of the Earth, telling the remarkable tale of its production and reception history from the McCarthy …

Anya Somwaiya reviews Korine’s debut feature, Gummo, a mood board for the decades that followed. Scotch taped wall bacon. Albinos and drunkards. Girls with noeyebrows …

Aryan Tauqeer discusses the position of the melodrama in the contemporary cinema landscape, the political history of the genre in Old Hollywood and how the …

Oscar McFie Lyons draws the connections between Spike Jonze’s Her and Sofia Coppala’s Lost in Translation, unearthing what the interplay between the once married pair …