Co-editor-in-chief, Madeline, reviews Everything Everywhere All At Once, box-office giant of 2022, and fan-favourite at this year’s Oscars. Everything Everywhere All At Once, living up …
London Film Festival 2022: ‘Decision to Leave’ Review
BFI’s London Film Festival is in town! The FilmSoc Blog is back for the 66th edition of the city’s largest film festival, delivering a look …
London Film Festival 2022: ‘Aftersun’ Review
BFI’s London Film Festival is in town! The FilmSoc Blog is back for the 66th edition of the city’s largest film festival, delivering a look …
London Film Festival 2022: ‘The Eternal Daughter’ Review
BFI’s London Film Festival is in town! The FilmSoc Blog is back for the 66th edition of the city’s largest film festival, delivering a look …
London Film Festival 2022: ‘Bones and All’ Review
BFI’s London Film Festival is in town! The FilmSoc Blog is back for the 66th edition of the city’s largest film festival, delivering a look …
‘Sunset Boulevard’ Review
Madeline Choi reviews Billy Wider’s classic film noir comedy Sunset Boulevard, which screened at FOMI 2022. The first day of this year’s Festival of the …
‘Ticket to Paradise’ (2022) – Review
Madeline Choi reviews the newest rom-com tropes following flick that will make you laugh and space out to ‘exotic’ lands. Another classic feel-good formulaic rom-com, …
‘The Worst Person in the World’ (2021) Review
Madeline Choi reviews Joachim Trier’s beautifully told story of love, confusion, and understanding. What a title. The Worst Person in the World. Immediately, it confronts …
‘Drive My Car’ (2021) Review
Madeline Choi reviews Ryūsuke Hamaguchi’s thoughtfully moving adaptation of Murakami. “The script is a vehicle”— Dir. Ryūsuke Hamaguchi Expanding from Haruki Murakami’s short story of …
LKFF 2021: ‘Shades of the Heart’ Review
Madeline Choi reviews Kim Jong Kwan’s anthology exploration of grief and artistic creation. A meditation on modern loneliness, director and screenwriter Kim Jong Kwan’s character-driven …