LEAFF 2022 celebrates its seventh year with a programme of 43 films from celebrated and debut filmmakers. Championing East Asian cinema, LEAFF aims to bring …
Venice Film Festival 2022: ‘Tár’ Review
The FilmSoc Journal is back for the the 79th edition of Venice film festival, with critic Aryan Tauqeer delivering a look at the hits and …
London Film Festival 2022: ‘The United States of America’
BFI’s London Film Festival is in town! The FilmSoc Blog is back for the 66th edition of the city’s largest film festival, delivering a look …
London Film Festival 2022: ‘Pacifiction’ Review
BFI’s London Film Festival is in town! The FilmSoc Blog is back for the 66th edition of the city’s largest film festival, delivering a look …
London Film Festival 2022: ‘EO’ Review
BFI’s London Film Festival is in town! The FilmSoc Blog is back for the 66th edition of the city’s largest film festival, delivering a look …
London Film Festival 2022: ‘Corsage’ Review
BFI’s London Film Festival is in town! The FilmSoc Blog is back for the 66th edition of the city’s largest film festival, delivering a look …
Venice Film Festival 2022: ‘The Kingdom: Exodus’ Review
The FilmSoc Journal is back for the the 79th edition of Venice film festival, with critic Aryan Tauqeer delivering a look at the hits and …
Venice Film Festival 2022: ‘White Noise’ Review
The FilmSoc Journal is back for the the 79th edition of Venice film festival, with critic Aryan Tauqeer delivering a look at the hits and …
Something Male in Every Woman and Female in Every Man: Gender and the Cronenbergian Body
The space occupied by the body as an inseparable component of the built environment has existed since perhaps the very inception of cinema as a …
LIFF 2022: ‘Urf’ Review
Aryan Tauqeer reviews Geetika Narang Abbasi’s Urf, a documentary following the lives of three Bollywood-star look-alikes. In 2016, the project that director Maneesh Sharma had …