*Spoilers Ahead for Mulholland Drive (2001) It opens with a background of deep, theatrical purple – a backdrop that is clearly artificially imposed. In the …
25 Years of Mulholland Drive: Recalling Hollywood’s False Promises

The home of film at UCL.

*Spoilers Ahead for Mulholland Drive (2001) It opens with a background of deep, theatrical purple – a backdrop that is clearly artificially imposed. In the …

Introduction For most with a more than moderate interest in film, particularly experimentation, surrealism and the avant-garde occupy this discomforting and inaccessible figure. The general …

Director Ryan Coogler’s recent critically and commercially acclaimed vampire horror film, Sinners (2025), is a triumph for non-IP blockbusters (grossing nearly 370 million internationally), considering …

Portrait of Edmond de Belamy (2018) by Obvious, an early work of AI generated art “Don’t criticise what you can’t understand.” – Bob Dylan (1964) …

Last month, I was methodically flicking through my emails, my online post, when I found a request to review British-Armenian director Richard Melkonian’s debut feature …

Mathieu Kassovitz’s La Haine (1995) is an unflinching commentary on police brutality, racial inequality, and the alienation of marginalised youth within France. Set over 24 …

Bunny cop, sly fox, mouse boss, the Lemming Brothers’ bank… I’ve always been deeply obsessed with the world of Zootopia. Two years ago, Shanghai Disneyland …

In Lahore, 26-year-old Fatin and her mother Yasmeen prepare for a neighborhood
wedding when Yasmeen’s 70-year-old brother-in-law, Shabeer, unexpectedly arrives for
the wedding and medical tests. Fatin, uncomfortable due to past abuse, faces pressure to
care for him, including driving him to his appointments, forcing her to confront
unresolved trauma while balancing family obligations.

“Let everything happen to you. Beauty and terror. No feeling is final.” Neeraj Ghaywan is one of contemporary Indian cinema’s most compelling storytellers, known forhis …